This study examines the impact of racial politics on the New Orleans mayoral election of 1982. Ernest "Dutch" Morial, the city's first black mayor, sought re-election against a popular white candidate, Ron Faucheux, and a well-liked black candidate, William Jefferson. Race played an integral role throughout the campaign as Morial continually battled attacks from both the conservative white community and the traditional black politicians, all of whom resented the oftentimes brash mayor and his push for change. Controversy also surrounded his handling of the police strike of 1979 and the Fischer Housing Project shootings of 1980. This study argues that despite these obstacles, Ernest "Dutch" Morial was able to win a second term in 1982 by appealing to a broad racial coalition of voters who approved of his vigorous efforts to apply the ideals of the Civil Rights Movement to municipal reform in New Orleans.

In 1979, New Orleans’ Mardi Gras celebration was disrupted by a police strike. The strike exposed the new political positioning that had resulted from national pressures such as the realization of black political power and the brief surge in public worker unions. New Orleans’ weakening white social elite was forced to assert its remaining power through Mardi Gras, while finding an unexpected ally in Mayor Ernest N. Morial, the first black mayor of New Orleans. This temporary alliance exemplifies an experience that was different than that of other American cities. While strong racial tension persisted, the old establishment’s interests coincided with Mayor Morial’s when Mardi Gras, a powerful cultural and economic institution, was threatened. This temporary alliance managed to defeat the local police union by galvanizing the citizens of the city against the strikers.

Thesis (M.A.)--University of New Orleans, 2004. / Title from electronic submission form. "A thesis ... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History."--Thesis t.p. Vita. Includes bibliographical references.

This finding aid of interviews is drawn from the Arnold R. Hirsch Collection at the Amistad Research Center. Between 1987 and 1994, historian Arnold Hirsch interviewed New Orleans’ first black mayor, Ernest Morial, and others related to that crucial era in New Orleans political history. This collection consists of 37 audiocassettes tapes that contain oral history interviews conducted by Arnold Hirsch with various New Orleanians who were active in city government and political activism. This project-based thesis covers the research and construction of the finding aid completed for this collection during an internship at the Amistad Research Center, as well as the metadata collected and created for the collection. This collection and finding aid are being housed at the Amistad Research Center.

This is a study of the manifestations and permutations of the Black Power era principles and ideologies in New Orleans from the mid-1960s to the late 1970s. By highlighting little-known and often neglected groups along with popular organizations, this work illuminates how these groups shaped and rethought the their objectives and tactics in the contested terrain of post-Civil Rights New Orleans. Making extensive use of archival resources, newspaper articles, memoirs, interviews, and secondary literature, “There are Some Bad Brothers and Sisters in New Orleans” focuses on the ways in which disparate organizations, groups, and individuals, wrestling with the highly fluid idea of Black Power, attempted to refashion the political and cultural landscape of the Crescent City. This dissertation contributes a more nuanced analysis of this famous city and continues the recent surge in Black Power Studies that emphasizes local examples of Black Power. This work tells the story of New Orleans; of shootouts and showdowns; liberation theater and war helicopters; schools and southern political rules. The central objective of this study is to provide a more complete and in-depth look at the major themes (Cultural Nationalism, Revolutionary Nationalism, Black Arts, student movements, political power, and independent education) of the Black Power era by calling attention to its distinctive but informative examples nurtured in the incomparable city of New Orleans. This dissertation argues that the roots of Black Power in New Orleans were shattered, disparate, and ad-hoc in nature. As such, its thrust failed to bear the social, cultural, economic, and political fruit hoped for by its advocates. / text

Ernest “Dutch” Morial’s 1977 grassroots mayoral campaign disrupted the political status quo in New Orleans with his message of citizen participation. Morial’s citizen-driven campaign reached over the constituencies of established Black Political Organizations, capturing an eager audience with his message of political, social, and economic equality. With the help of volunteers and other community organizations, Morial created a grassroots campaign that focused on making city government more inclusive. Unattached to the traditional patronage structure, Mayor Morial empowered the black community, reducing the constraints of their political access. Although his legacy is difficult to discern in New Orleans current political realities, Morial’s first campaign and administrations represent a departure from the political status-quo and the powerful patronage structures critical to their status.