abstract: This research explores how people's relationships with the spirits of the dead are embedded in political histories. It addresses the ways in which certain spirits were integral "inhabitants" of two social environments with disparate political traditions. Using the prehistoric mortuary record, I investigate the spirits and their involvement in socio-political affairs in the Prehispanic American Southeast and Southwest. Foremost, I construct a framework to characterize particular social identities for the spirits. Ancestors are select, potent beings who are capable of wielding considerable agency. Ancestral spirits are generic beings who are infrequently active among the living and who can exercise agency only in specific contexts. Anonymous groups of spirits are collectives who exercise little to no agency. I then examine the performance of mortuary ritual to recognize these social identities in the archaeological record. Multivariate analyses evaluate how particular ritual actions memorialized the dead. They concentrate on treatment of the body, construction of burial features, inclusion of material accompaniments, and the spaces of ritual action. Each analysis characterizes the social memories that ritual acts shaped for the spirits. When possible, I supplement analysis of archaeological data with ethnohistoric and ethnographic information. Finally, I compile the memories to describe the social identities for the spirits of the dead. In this study, I examine the identities surrounding the spirits in both a Mississippian period settlement on the Georgia coast and in several Protohistoric era Zuni towns in the northern Southwest. Results indicate that ancestors were powerful members of political factions in coastal Mississippian communities. In contrast, ancestral spirits and collectives of long-dead were custodians of group histories in Zuni communities. I contend that these different spirits were rooted in political traditions of competition. Mississippian ancestors were influential agents on cultural landscapes filled with contestation over social power. Puebloan ancestral spirits were keepers of histories on landscapes where power relations were masked, and where new kinds of communities were coalescing. This study demonstrates that the spirits of the dead are important to anthropological understandings of socio-political trajectories. The spirits are at the heart of the ways in which history influences and determines politics. / Dissertation/Thesis / Ph.D. Anthropology 2014

Over centuries, Hmong people have moved from mountain to mountain, home to home, country to country, crossing rivers and valleys in search of an escape from oppression. The Txiv Xaiv (Plig) ritual and chant has survived serial exodus and diaspora that Hmong people have experienced. This ritual encodes Hmong historical and cosmological understandings as an oral text, passed down from master to student, and performed at funerals to apply that understanding in the management of souls--ultimately to send them home. The Txiv Xaiv (Plig) serves as a glue, connecting the past generations to the generation of today and the generations of tomorrow. A funeral without a Txiv Xaiv is like a tree without its roots. Its ability to preserve Hmong history, morals, and traditions is unparalleled, but the dispersion of Hmong communities across a now global diaspora threatens the vitality of this oral text. An ethnographic film constitutes a critical and central empirical element of this thesis. This film, entitled Returning Home, draws on the affordances of visual and sonic mediums to both depict this oral text and the practices associated with it, and to unpack the cosmology of personhood encoded in the text, which Hickman (2014) calls "ancestral personhood". The film centers on a particular form of the Txiv Xaiv Plig that was preserved by a paramount Master, Shong Ger Thao, who passed down a critical version of the ritual to the director of Returning Home (and author of this thesis) before he passed away. This version of the ritual has the unique capacity to manage the soul of a person who did not receive a complete funeral and proper burial when they passed away, such as the post-1975 exodus from Laos, when Hmong families had to flee for their lives and many people were killed in the jungle along the way. By fate or coincidence (most Hmong would err on the side of fate), the first time that the director of this film was called upon to perform this Txiv Xaiv Plig was for an ex-post-facto funeral for Master Shong Ger's wife, Kia Yang, who had passed away during the lock-down phase of the Covid-10 pandemic, when large gatherings (necessary for a proper Hmong funeral) were not permitted. This film draws on this poetic circle of the passing down of knowledge and putting it into practice, in order to demonstrate the value of the knowledge that Master Shong Ger had preserved, specifically through the use of that knowledge to manage his own late wife's soul, thus completing the circle from one generation to the next in Master Shong Ger's family. This project--the written thesis in conjunction with the film--advances a "Hmong Oral Knowledge" approach that is critical to both understanding and preserving Hmong cosmology. This approach puts Hmong cosmology and philosophy into dialogue with scholarship being produced about Hmong communities across the world which tends to treat Hmong ideas as mere data-to-be-analyzed. The thesis focuses on the substance of Master Shong Ger Thao's philosophy (derived from Hmong oral ritual), in order to "look" and not just "see" (MacDougall 2019) human experience from a Hmong theoretical perspective. Given the primacy of oral and physically performative ritual practice, this thesis employs the medium of film in order to engage with Hmong ritual knowledge and practice in its own terms. The film provides a 'thick depiction' of these practices, and seeks to explicate the cosmology of the 'three souls' model of personhood that underpins these practices, while also focusing on the legacy of Master Shong Ger Thao, who cultivated and preserved the details of this cosmology and the oral texts that encode it.

The history of death is entangled with the history of changing social values, meaning that a shift in attitudes to death will be consistent with changes in a society’s world view. Late Mesolithic shell middens in the Tagus and Sado valleys, Portugal, constitute some of the largest and earliest burial grounds known, arranged and maintained by people with a hunting, fishing, and foraging lifestyle, c 6000–5000 cal BCE. These sites have been interpreted in the light of economic and environmental processes as territorial claims to establish control over limited resources. This approach does not explain the significance of the frequent disposal of the dead in neighbouring burial grounds, and how these places were meaningful and socially recognized. The aim of this dissertation is to answer these questions through the detailed analysis of museum collections of human burials from these sites, excavated between the late nineteenth century and the 1960s. I examine the burial activity of the last hunter-gatherers of the south-western Iberian Peninsula from an archaeological perspective, and explain the burial phenomenon through the lens of historical and humanist approaches to death and hunter-gatherers, on the basis of theoretical concepts of social memory, place, mortuary ritual practice, and historical processes. Human burials are investigated in terms of time and practice based on the application of three methods: radiocarbon dating and Bayesian analysis to define the chronological framework of the burial activity at each site and valley; stable isotope analysis of carbon and nitrogen aimed at defining the burial populations by the identification of dietary choices; and archaeothanatology to reconstruct and define central practices in the treatment of the dead. This dissertation provides new perspectives on the role and relevance of the shell middens in the Tagus and Sado valleys. Hunter-gatherers frequenting these sites were bound by shared social practices, which included the formation and maintenance of burial grounds, as a primary means of history making. Death rituals played a central role in the life of these hunter-gatherers in developing a sense of community, as well as maintaining social ties in both life and death.