In the history of Architecture, religious structures have always awed people whether a person corresponds to the concerning religion or even he or she is not religious at all. Those structures have been patronized by the riches or the royal highnesses of the time and mostly got the utmost priority regarding planning and construction and the results have been magnificent. By the 16th century when Ottoman Empire (15-20th century) was spreading its dynasty, the world saw the emergence of an overwhelming spread of Islamic architecture as well. Even now one who enters the city of Istanbul or Damascus from the riverside will see series of domes, arches and minarets staggered along the topography. The hierarchical progression of the biggest and most attractive domes among them, which one could hardly miss are of the mosques. Time to time the social and commercial aspects of life started to redefine urban settlements and demanded for a space for spiritual devotion as well as religious learning and practices in groups. Getting together five times a day as instructed or every Friday for the afternoon where the Imam presents lectures not only on religious matters, contemporary matters and better ways to live in harmony with religious and contemporary concerns. It is the communal gathering of people that demanded for a large hall to pray and communicate with each other afterwards. The Intention of this thesis is to dig into some of the core aspects of the evolution of mosques, significance of its different parts and features and most importantly how those features as a whole are contributing to behold social and communal construct.

This study aims to explore the contemporary mosque architecture in Turkey, through a survey of the selected cases, focusing mainly on the use of traditional elements of mosque architecture. The selected cases are outstanding examples of contemporary mosque architecture in Turkey. Their architects are innovative in their design decisions and displayed their own design approach and interpretation outside the main stream of contemporary mosque design Turkey. In this framework, six mosques for every decade beginning from 1960&rsquo / s are analyzed in terms of their general architectural features and the use of traditional elements of mosque architecture in their design. Throughout the selected cases, the modification of forms and functions are studied and compared with the pre- Modern ones as well as with each other. The changed forms of obsolete elements and the introduction of new elements to their design are also discussed. By this way, a general evaluation regarding the developments and progress in contemporary mosque architecture in Turkey is proposed with reference to comparative results. On this basis, this study demonstrates that the main elements, organization schemes and planning setups of Classical Ottoman Mosque are still preserved in the selected mosque examples. The novelty brought to their design is basically the usage of modern materials and techniques and a formal exploration of mosque architecture.

The study attempts to trace the development of mosque architecture in Islamic history, in modern architecture in the world, specifically focusing on the history of the mosque in Libya. It investigates whether the conformity of mosque components and finishing is due to historic, current and local Islamic prescriptions / due to functional purposes and necessities, or merely as an imitation of the stereotype styles for loyalty to mental and habitual traditions regardless of functions. The main objective of this thesis is to study &lsquo / the lack of innovation&rsquo / in mosque architecture, especially in the Libyan case. The thesis investigates the factors which may have caused this phenomenon and attempts to explore whether there is possibility to innovate mosque design. For this end, the thesis analyzes and evaluates urban, spatial, architectural and performance properties of the existing mosques in city of Ajdabiya in Libya, the results of which are expected to help architects in developing the innovations in mosque design. Finally, the study asserts that acceptance of innovation is possible under the given circumstances: there are differences from one mosque to another, there are variations of mosque elements in terms of type and form, already varying from region to region. The main reasons for the absence of innovations are found to be due to unqualified designers who lack creativity, fear for the vulnerability of the heritage and some misconceptions and misinterpretations in terms of religious prescriptions.