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The construct of joy of movement as reflected through seventh graders' enjoyment of movement tasksBlaser, Bonnie Jean, January 1974 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1974. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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A theory of the 1927 Chinese labor movementHuang, Khai-loo, January 1938 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1938. / Typescript. Includes abstract and vita. eContent provider-neutral record in process. Description based on print version record. Bibliography: leaves 751-765.
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Die Jugendbewegung in den Niederlanden; ihr Wesen und ihre pädagogische Behandlung.Knoppers, Bastiaan Antonie. January 1931 (has links)
Thesis--Wilhelms Universität zu Münster.
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A genetic study of the French labor movement and its doctrines with emphasis on contemporary trendsDale, Leon A. January 1949 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1949. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [i]-xxxiv).
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German youth movements a typological study.Schmid, Robert Carl, January 1941 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1941. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [294]-299).
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Japanese students in politics a history of the Japanese student movement 1918-1928 and 1945-1960 /Hummer, Harry H. January 1962 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1962. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 104-113).
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The relationship between movement satisfaction and body consciousness of selected athletes and nonathletes /Tedesco, Jean Doris. January 1980 (has links)
Thesis (M.A.)--Ohio State University. / Includes bibliographical references (leaves 179-185).
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Die tegniek van geen tegniek : 'n ondersoek na kontak improvisasie in Suid-Afrika, met spesiale verwysing na die werk van Lanon Prigge en Samantha Pienaar /Joubert, Anél. January 2006 (has links)
Thesis (MA)--University of Stellenbosch, 2006. / Bibliography. Also available via the Internet.
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Musical motion and meaningAckerman, Julie January 2007 (has links)
Thesis (M.A.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / In this thesis, I argue that musical motion takes the place of 'content' as the bridge between form and meaning in the context of instrumental music - music without text, program, or any other verbal indication of subject matter. I begin by discussing the question of musical content: does instrumental music have a conceptual content? Is such a non-representational art capable of communicating ideas? Historically, this question has been answered through the connection of instrumental music to human emotion. In part one, I describe philosophies of musical content, including theories of imitation, representation, and symbolization. I also describe the formalist position, which argues that music's non-verbal nature renders it incapable of communicating anything other than uniquely musical ideas (thematic ideas, movies, etc.). I agree with the formalists that music does not imitate, represent, or symbolize human emotion. Insofar as these sorts of relations traditionally define the idea of 'content,' I agree that music has no explicit 'content.' However, I disagree with the formalist claim that emotions have no aesthetically relevant role in the experience of instrumental music. It is my view that emotions find their place in instrumental music not as a kind of 'content,' but as part of the human experience of musical motion. In part two I discuss this idea of musical motion, and in parts two and three I consider the relationship between music's movement, the emotions that we perceive in music, and the meaning that we give to it. / 2031-01-02
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Control of expressive movements under conditions of uncertainty and status differencesBryan, John Bernard, January 1966 (has links)
The study of body motion in social settings is a relatively unexplored area of human behaviour. In this study an attempt was made to develop a rational model for information control under conditions of uncertainty which could be applied to gross body movement during interaction. The theory specified that body motion would be a function of the subject's perception of the probability that his behaviour might violate expectations and lead to punishments.
It was hypothesized that subjects who experienced uncertainty about expectations of others when in the presence of important others would inhibit body motion. It was further hypothesized that the relative use of different body parts would be a function of the experimental condition.
An experiment was designed in which subjects were photographed on motion picture film while being interviewed by a role player who assumed different statuses in different experimental conditions. The amount of uncertainty in a condition was manipulated by the selection of subjects and by the instructions given to them during the experiment.
The first hypothesis was supported although the converse of the hypothesized relationship was not and in fact presented an anomalous difference. The second hypothesis was not supported although differences are considerable and. in the expected direction. / Arts, Faculty of / Anthropology, Department of / Graduate
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