Global ETD Search

1	Three States of the Mind's Eye Huddleston, Lindsay 29 April 2012 (has links) Three States of the Mind's Eye is a multimedia work composed of music, poetry, and video. The purpose of the work is to examine attributes of three different abstract states of mind: the dream, paranoia, and courage. The musical score both tells its own story as well as enhances the visuals and poetry as they are presented. This document will discuss the ideas behind the work, how the composer went about creating each section and combining them, and will provide musical excerpts, the poetry itself and other visual examples. All sounds for the project are synthetic or sampled and the use of technology will also be discussed. The thesis is divided into four parts: introduction, analysis, technology and workspace, and conclusion. / Mary Pappert School of Music; / Composition / MM; / Thesis;
2	"Femininity: Ownership and Power": A Multimedia Exhibition Brown, Aleyna M. 12 1900 (has links) This thesis is a critical analysis and creative commentary providing research and insight into my 150-minute multimedia exhibition, "Femininity: Ownership and Power," that premiered October 23, 2021. All of my research, composition, and collaboration efforts seek to recontextualize the semiotics of ‘femininity' through ownership and empowerment from varying intersections and identities. The titles of the eight works composed and premiered as part of the exhibition include: a beautiful reckoning; Dust; Moirai; Gaia; Portrait of the American Woman; Shared, In Balanced Contrast; At My Intersection; and I See You. Also included was #pinkcode, an exhibit that features a fuschia graphic user interface for an interactive modulation synthesis application built in Csound designed to bring femininity into computer music spaces. The musical compositions vary in instrumentation including flute, alto flute, voice, guitar, viola, harp, cajon, vibraphone, live electronics, and fixed media. They also vary in medium including live performance, virtual reality video, music video, audio-reactive TouchDesigner video, immersive text projections, light show, and live dance. Feminist texts by women poets and authors recited by women personally connected to me are also included in the fabric of the musical fixed media of multiple pieces in the thesis exhibition. Collaborators of artistic media including film, digital art, music, and dance include Eboni Johnson, Hannah Ottinger, Cami Holman, Miranda Zapata, and Elijah J. Thomas. feminism feminism and music gender studies music composition multimedia music Composition (Music) Feminism and music. Academic theses
3	The Emergence of the Subconscious in Erik Satie's "Parade": The Search for Surrealism in Sound Rajatanavin, Tanaporn 08 1900 (has links) This thesis investigates possible connections between the music of Erik Satie (1866-1925) and the later surrealist movement, turning to Parade (1917) in a case study that seeks to understand surrealism in music through the idea of self-exploration, a well-established interpretive approach in studies of surrealism in the visual arts. This thesis seeks to redefine surrealism in music not as a set of concrete musical characteristics, but as a collection of techniques meant to evoke subconscious turbulence by blurring the boundary between the "outside" and "inside," between conscious and subconscious, leading to a new discovery of higher or deeper truth. Satie's music aligns with the psychoanalytic elements of the discourse on surrealism. Psychoanalysis, pioneered by Sigmund Freud (1856-1939) and his followers in the 1890s in Vienna, permeated France around the time of the creation of the work. It inspired early surrealist techniques like automatism, illusory formal structures, collage, and stylistic allusion. This thesis demonstrates that such techniques can be discerned throughout Parade, not only in Satie's music, but also in its scenario, staging, costumes, and choreography. As such, Parade was a foundational work for the surrealist movement, with Satie's music contributing with the other media equally to the emotional and psychological impact of the ballet. Satie surrealism Massine Cocteau Picasso Dalí Freud Apollinaire Diaghilev Parade Ballets Russes collaboration multimedia music ballet avant-garde surrealism in music subconscious conscious blurred boundary self-exploration acoustic illusion automatism collage stylistic allusion psychoanalysis psychology in music Satie, Erik, 1866-1925. Parade. Surrealism in music. Psychoanalysis and music. Academic theses

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