My graduation theses devotes to a demonstration of the museum revolution in three South Bohemian cities. It concerns the beginnings of the museum in Strakonice, Písek and Vodňany. It surveys their foundation and progression from the 80s of the 19th century till the 30s of the 20th century. It monitors the foundations of the museum associations, trustees and commissions; organization of the collection of the museum material and the resulting installation of the museum collections and their opening to public. The identical elements discovering by their starts conform to characteristic traits, that are typically for bohemia administration of museums generally. In them belongs the majority interest of the intelligence and rich people at the foundation of the museum. Reciprocal influence and interworking are conspicuous among nominative museums and a gradually incursion of the women in the sphere of the public life is unnoticac, and all in the bohemian administration of museums. The differences then infer a progession of the nascent bohemian administration of museums and advert to its advances and new inspiration elements.

The aim of this study is to give a historical view upon and examine the development of local and regional cultural history museums in Norway as a topic in Norwegian cultural policy 1900 – circa 1970. The present thesis is divided into four main parts: In part one data sources and theoretical perspectives are presented. The thesis is written in museology and this is the background for a perspective where of local and regional museums arose as a subject requiring development of public politics. The theoretical perspective is how development of politics frequently appears as a choice between various alternatives based on available contemporary material and ideological suppositions. Local and regional museums appear in this perspective as a cultural phenomenon in their own age, a phenomenon to which Stortinget, the Ministry and the museum profession attached both interpretations and conceptions. In part two, entitled “Concern over a group of museums” the parallelism between museum growth and policymaking from 1900 – 1920 is analyzed. Development of politics in these years can be considered as a process where the formation of clearly defined guiding principles for practice by the authorities took place. In the centre of this development of politics was the regulation on governmental subsidy based on a political framework the need to conform to norms related to calculability and equal treatment. At the same time it does appeared the legitimacy to carry out disciplinary measures was nourished by a conception of local and regional museums as unruly and an image of them as a type of “freely growing” institution. In part three, “A formative recognition”, deals with the growing cooperation between The Norwegian Museums Assosiation and the Ministry in the field of local and regional museum and how it influenced the work in this museum. Cooperation with the museum society ensured that a competent apparatus was available to the Ministry. This led gradually to development of a new administrative regime, more specifically a move toward something which can be described as a professional administration. Part four “Consolidation of the politics” examines the development 1945 – circa 1970. The new tendencies would turn out to reflect an increasing awareness of the educational opportunities for future museum personnel, different solutions for establishing good professional guidance for the unmanned museums and, in parallel within the professional museum milieu, an emerging debate on the museums’ role in society. Common for all these initiatives is that they demonstrate what one could characterise as an increasing degree of professionalism. Part four end with the Proposal from the Museum Committee of 1967. This white paper was presented by the Ministry of Churches and Education in 1972. The document was the first of its kind and was intended to be recognised as a comprehensive plan.  The most tangible result of the white paper was the arrangement for subsidies to semi-public museums which was introduced in 1975.

The diploma thesis focuses on the design of a new synagogue in Jihlava, and other objects for the Jewish community. These are administrative building, restaurant and a museum. The area where we work is large and it is therefore important to solve the area as well as urbanistically. The diploma project solves a separate building of the synagogue, an administrative building with a courtyard for the Jewish community, a separate restaurant place in tower moat, and two buildings located in the gap of an existing building. One of these objects is used for the Jewish culture museum, the second is polyfunctional. Furthermore, the park areas and underground parking is being solved.