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Technical devices used by Paganini in his compositionsDjingheuzian, Vahé January 1963 (has links)
Thesis (D.M.A.)--Boston University
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Symphony for organ and orchestraMiller, Max Burdoff January 1955 (has links)
Thesis (Ph.D.)--Boston University
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Music arranged for elementary school orchestraRussell, Walter E. January 1952 (has links)
Thesis (M.M.E.)--Boston University
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Three pieces for concert band (by Franz Liszt)Murphy, Hugh G., Jr January 1963 (has links)
Thesis (M.M.)--Boston University
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Andante and Allegro in G minor: for two violins and orchestraTrongone, Joseph A. January 1955 (has links)
Thesis (M.M.)--Boston University
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Arrangement for bandHarpin, Bruno January 1959 (has links)
Thesis (M.M.)--Boston University
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Fantasia and fugue, 2nd movement op. 110 a transcription for bandMurray, Robert January 1961 (has links)
Thesis (M.M.)--Boston University
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Concertino for Jazz Clarinet, Electric Viola and Symphonic OrchestraHolmquist, Mats G. (Mats Göran) 08 1900 (has links)
Concertino for Jazz Clarinet. Electric viola and Symphonic Orchestra is a composition of approximately fifteen minutes' duration, and is scored for two flutes (second doubling piccolo), two oboes, two Bb clarinets, two bassoons, four F- horns, two Bb trumpets, three trombones (third bass), two percussionists, solo Bb clarinet, solo electric viola and strings. The piece is divided into two movements; Andante and Canon. Concepts derived from jazz music are employed in, for example, harmony and improvisation in the solo parts, whereas the orchestration is mainly traditional. The piece is written for two great Swedish instrumentalists; Putte Wickman, clarinet, and Henrik Frendin, viola. Stylistically this work is difficult in the orchestral parts, since it uses concepts from two different musical styles, jazz and classical. Influences originate from such wide-ranging composers as Mozart, Stravinsky, Shostakovich and Chick Corea.
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Portfolio of compositionsHirayama, Haruka January 2016 (has links)
This PhD portfolio focuses on research across interactive computer music composition and live performance involving instrumental players and instrumental sounds. It examines methods of disjoining original connections between performers’ actions, the instrument as sound sources, and musical outcomes, and also methods of reconstructing new connections between them via electronic intermediation. At the same time, the portfolio of creative works presented in this study proposes multiple performing styles and explores innovative electroacoustic music as well as its context. Through this portfolio, the composer invites readers to her original sound world and individual musical concepts, which are informed by visually-related ideas such as imaginary views, colours, scenes of a story, and art paintings, alongside their associated titles.
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Jasmine's Secret: Narrative Cantata for Five Solo Voices, Narrator, and OrchestraAlley, Candace P. 12 1900 (has links)
Since Jasmine's Secret contains elements of cantata and follows a dramatic story or program, the work may be classified as a narrative or dramatic story or program, the work may be classified as a narrative or dramatic cantata employing five solo voices, narrator and orchestra. This work attempts a revival of these two genres as a combined entity due to the decreased popularity of both cantata and programmatic music in the 20th century.
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