121 |
A perspective theory of music perception and emotion /Vickhoff, Björn, January 1900 (has links)
Thesis (Ph.D)--Göteborgs universitet, 2008. / Abstract inserted. Includes bibliographical references (p. 283-311)
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122 |
Incomplete Ursatzformen transferences in the vocal music of Heinrich SchenkerAyotte, Benjamin McKay. January 2008 (has links)
Thesis (Ph.D.)--Michigan State University. Music Theory, College of Music, 2008. / Title from PDF t.p. (viewed on March 30, 2009) Includes bibliographical references (p. 155-158). Also issued in print.
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123 |
Organicism, motivic parallelism, and performance in Beethoven's piano sonata op. 2 no. 3 : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology /Robb, Hamish James Alexander. January 2008 (has links)
Thesis (M.Mus.)--New Zealand School of Music, 2008. / Includes bibliographical references.
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124 |
A system for the generation of tonal music based on transformations /Myers, Karl J. January 1988 (has links)
Thesis (M.S.)--Rochester Institute of Technology, 1988. / Typescript. Includes bibliographical references (leaves 49-50).
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125 |
Ruth Crawford's final solo piano works : an analysis of FOUR PRELUDES FOR PIANO and PIANO STUDY IN MIXED ACCENTS /Pace, Cynthia Margaret. January 1989 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1989. / Typescript; issued also on microfilm. Sponsor: Lenore M. Pogonowski. Dissertation Committee: Harold F. Abeles. Bibliography: leaves 322-324.
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126 |
The artist-teacher as college music educator /Kim, Yŏng-suk. January 1993 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1993. / Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Harold Abeles. Includes bibliographical references (leaves 217-220).
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127 |
Bach's "Goldberg Variations": a descriptive study and analysis.Cole, Frances Elaine, January 1966 (has links)
Thesis (Ed.D.-̲-Teachers College, Columbia University, 1966. / Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Charles Walton. Includes bibliographical references (leaves 204-206).
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128 |
An examination of semiotics in musical analysis the Neapolitan complex in Beethoven's op. 131 /Dougherty, William Patrick, January 1985 (has links)
Thesis (Ph. D.)--Ohio State University, 1985. / Typescript. Vita. Includes bibliographical references (leaves 238-245).
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129 |
An examination of some set-theoretic applications in the analysis of non-serial musicWittlich, Gary E., January 1969 (has links)
Thesis (Ph. D.)--University of Iowa, 1969. / Vita. Includes analyses of selected works by Bartok, Schönberg, Webern, and Scriabin. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1981. -- 21 cm. Includes bibliographical references (leaves 141-143).
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130 |
Thirteen essays from the three yearbooks, Das Meisterwerk in der Musik,Schenker, Heinrich, Kalib, Sylvan. January 1973 (has links)
The translator's Thesis--Northwestern University. / The translator's vita.
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