Previous analyses have made insightful progress on how Lushootseed functions primarily based upon elicitation work and morphosyntactic observations. Much of this work is based upon a structural linguistic analysis. For years, this form of analysis has been the primary way Lushootseed has been presented and these insights have been helpful in understanding how Lushootseed functions. Indeed, much of what has been said about Lushootseed on this level is the basis for my analysis in this dissertation. However, there are elements of Lushootseed that do not fit well within this more traditional frame work and are not fully understood through just a structural linguistic analysis. This includes morphological elements, such as: the functions of the s- ‘nominalizer’; ʔu-, previously analyzed as a perfective marker; and =əxʷ, previously analyzed as marking a change of state. In addition, previous analysis on the diachronic Salish passive construction does not hold as a synchronic passive among four Central Salish languages. The methodology in this dissertation examines natural speech patterns and leans towards analyzing morphosyntactic elements in terms of focus and discourse marking. When certain Lushootseed constructions are analyzed using this approach, their distributions have promising results.

The mismatch negativity (MMN) is a specific event-related potential (ERP) component used frequently in the observation of auditory processing. The MMN is elicited by a deviant stimulus randomly presented in the presence of repeating stimuli. The current study utilized the MMN response in order to determine the temporal (timing) and linguistic processing of natural and synthetic vowel stimuli. It was hypothesized that a significant MMN response would be elicited by natural and synthetic vowel stimuli. Brain mapping of the MMN response was hypothesized to yield temporal resolution information, which would provide detail regarding the sequential processing differences between natural and synthetic vowel stimuli. It was also hypothesized that the location of dipoles within the cortex would provide information pertaining to differences in cortical localization of processing for natural and synthetic stimuli. Vowel stimuli were presented to twenty participants (10 females and 10 males between the ages of 18 and 26 years) in a three-forced-choice response paradigm. Data from behavioral responses, reaction times, and ERPs were recorded for each participant. Results demonstrated that there were differences in the behavioral and electrophysiological responses between natural and synthesized vowels presented to young, normal hearing adults. In addition, significant MMN responses were evoked by both natural and synthetic vowel stimuli. Greater reaction times existed for the synthetic vowel phonemes compared to the natural vowel phonemes. Electrophysiological differences were primarily seen in the processing of the synthetic /u/ stimuli. Scalp distribution of cognitive processing was essentially the same for naturally produced phonemes. Processing of synthetic phonemes also had similar scalp distributions; however, the synthetic /u/ phoneme required more complex processing compared to the synthetic /æ/ phoneme. The most significant processing localizations were located in the superior temporal gyrus, which is known for its role in linguistic processing. Continued processing in the frontal lobe was observed, suggesting continual evaluation of natural and synthetic phonemes throughout processing.

It has been previously established that when engaged in a difficult attention intensive task, which involves repeating information while blocking out other information (the dichotic listening task), participants are often able to report hearing their own names in an unattended audio channel (Moray, 1959). This phenomenon, called the cocktail party effect is a result of words that are important to oneself having a lower threshold, resulting in less attention being necessary to process them (Treisman, 1960). The current studies examined the ability of a person who was engaged in an attention demanding task to hear and recall low-threshold words from a fictional story. These low-threshold words included a traditional alert word, "fire" and fictional character names from a popular franchise-Harry Potter. Further, the role of stimulus degradation was examined by including synthetic and accented speech in the task to determine how it would impact attention and performance. In Study 1 participants repeated passages from a novel that was largely unfamiliar to them, The Secret Garden while blocking out a passage from a much more familiar source, Harry Potter and the Deathly Hallows. Each unattended Harry Potter passage was edited so that it would include 4 names from the series, and the word "fire" twice. The type of speech present in the attended and unattended ears (Natural or Synthetic) was varied to examine the impact that processing a degraded speech would have on performance. The speech that the participant shadowed did not impact unattended recall, however it did impact shadowing accuracy. The speech type that was present in the unattended ear did impact the ability to recall low-threshold, Harry Potter information. When the unattended speech type was synthetic, significantly less Harry Potter information was recalled. Interestingly, while Harry Potter information was recalled by participants with both high and low Harry Potter experience, the traditional low-threshold word, "fire" was not noticed by participants. In order to determine if synthetic speech impeded the ability to report low-threshold Harry Potter names due to being degraded or simply being different than natural speech, Study 2 was designed. In Study 2 the attended (shadowed) speech was held constant as American Natural speech, and the unattended ear was manipulated. An accent which was different than the native accent of the participants was included as a mild form of degradation. There were four experimental stimuli which contained one of the following in the unattended ear: American Natural, British Natural, American Synthetic and British Synthetic. Overall, more unattended information was reported when the unattended channel was Natural than Synthetic. This implies that synthetic speech does take more working memory processing power than even an accented natural speech. Further, it was found that experience with the Harry Potter franchise played a role in the ability to report unattended Harry Potter information. Those who had high levels of Harry Potter experience, particularly with audiobooks, were able to process and report Harry Potter information from the unattended stimulus when it was British Natural. While, those with low Harry Potter experience were not able to report unattended Harry Potter information from this slightly degraded stimulus. Therefore, it is believed that the previous audiobook experience of those in the high Harry Potter experience group acted as training and resulted in less working memory being necessary to encode the unattended Harry Potter information. A pilot study was designed in order to examine the impact of story familiarity in the attended and unattended channels of a dichotic listening task. In the pilot study, participants shadowed a Harry Potter passage (familiar) in one condition with a passage from The Secret Garden (unfamiliar) playing in the unattended ear. A second condition had participants shadowing The Secret Garden (unfamiliar) with a passage from Harry Potter (familiar) present in the unattended ear. There was no significant difference in the number of unattended names recalled. Those with low Harry Potter experience reported significantly less attended information when they shadowed Harry Potter than when they shadowed The Secret Garden. Further, there appeared to be a trend such that those with high Harry Potter experience were reporting more attended information when they shadowed Harry Potter than The Secret Garden. This implies that experience with a franchise and characters may make it easier to recall information about a passage, while lack of experience provides no assistance. Overall, the results of the studies indicate that we do treat fictional characters in a way similarly to ourselves. Names and information about fictional characters were able to break through into attention during a task that required a great deal of attention. The experience one had with the characters also served to assist the working memory in processing the information in degraded circumstances. These results have important implications for training, design of alerts, and the use of popular media in the classroom.

Unlike Canadian English which has two liquid consonant phonemes, /ɹ, l/ (as in right and light), Japanese is said to have a single liquid phoneme whose realization varies widely both among speakers and within the speech of individuals. Although variants of the /r/ sound in Japanese have been described as flaps, laterals, and weak plosives, research that has sought to quantitatively describe this phonetic variation has not yet been carried out. The aim of this thesis is to provide such quantification based on 1,535 instances of /r/ spoken by four individuals whose near-natural, unscripted conversations had been recorded as part of a larger corpus of unscripted Japanese maintained by Dr. Nick Campbell of Advanced Telecommunications Research Institute International (ATR), Kyoto, Japan. Tokens of /r/ were extracted from 30-minute conversations between one pair of male speakers and one pair of female speakers. Each token was narrowly transcribed into the International Phonetic Alphabet, then categorized based on the author’s perception of: 1) the strength/narrowness of central oral articulatory stricture, and 2) the presence or absence of an auditory-perceptual lateral and/or rhotic sound quality. Transcription and category frequencies for each speaker averaged across all environments were then compared with frequencies in specific phonological environments to ascertain whether a particular environment was amenable to a ‘drift’ towards any particular category of variant, and whether patterns of ‘drift’ applied to all speakers or varied on an individual basis. Transcriptions of the 1,535 tokens of /r/ ranged widely among lateral and non-lateral flaps, raised (i.e. increased articulatory contact) non-lateral flaps akin to light voiced plosives (e.g. Hattori 1951, Kawakami 1977), as well as lateral approximants and rhotic approximants. While two of the four speakers, both males, patterned similarly by dividing their productions of /r/ chiefly among short lateral approximants and rhotic approximants, each speaker did vary considerably in their choice of variants in any given environment. Drift is considered in terms of physiological parameters which may be optionally exploited to maintain phonological salience.