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1	THE BUSINESS AND PLEASURE OF FILMIC LESBIANS PERFORMING ONSTAGE Stuart, Jamie L. 07 June 2006 (has links) No description available. Lesbian Performativity New Queer Cinema Utopian Performative LGBTQ Cinema Queer Women
2	The Rainbow Effect: Exploring the Implications of Queer Representation in Film and Television on Social Change Reddy, Maya S 01 January 2014 (has links) In this thesis, I explore how specific films and television shows use the preexisting structure and mechanics of narrative film in order to create queer characters and stories that defy their otherness and stereotypes, thus creating a profound cinematic experience. Not only does the manipulation of these structures and mechanics heighten the realism and depth of the narrative at hand, it also enhances audience identification by allowing queer viewers to find themselves and straight viewers to understand the “other.” In this manner, the New New Queer Cinema and television have had lasting effects on the modern gay rights movement, changing perceptions and attitudes of society on an extremely personal level and making way for incredible strides in public policy changes. film television queer queer rights pretty little liars boys don't cry the good wife grey's anatomy tumblr fans new queer cinema new new queer cinema laura mulvey Film and Media Studies Television
3	A Spectrum of Horror: Queer Images in the Contemporary Horror Genre Browning, David Eric 29 August 2022 (has links) No description available. Film Studies Horror Queer Cinema New Queer Cinema Videographic Analysis LGBTQ Gregg Araki Ryan Murphy Queer Aesthetic Horror Aesthetic
4	Sexuální identita jako filmová podvratnost: diskurz New Queer Cinema / Sexual Identity as Cinematic Subversion: the Discourse of New Queer Cinema Kajánková, Lucia January 2015 (has links) The thesis proposes the New Queer Cinema chapter of film history as a paradigm of queer film's subversive practices. The theoretically and historically focused first part establishes the term queer, expounds its possible applications to film in the realm of queer film studies and in the third chapter critically introduces the 'new wave' of queer film New Queer Cinema. The analytical part assigns queer and its possible functions as its basis for inquiry. It consists of two parts: the first performs the formal-content analysis of the pivotal film Swoon (1992); the final chapter builds on its conclusions and examines the corpus of New Queer Cinema films along four analytical cuts in order to describe how they produce the queer discourse. The final output of the thesis is an open model of prospective approaches to queer film.

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