This qualitative and explanatory study focuses on the concept of ‘media witnessing’, which concerns witnessing media texts performed in, by, and through the media. The aim is to determine how people from different backgrounds engage with news photographs of Syrian children which went viral in 2015 and 2016. Furthermore, this study uses the analytical framework of media witnessing created by Maria Kyriakidou (2015). The framework was made to analyse four different reactions to distant, mediated suffering: affective, ecstatic, politicised and detached. This framework is tested and adapted for this study to identify the engagement experience of individuals with new viral photographs. These photographs were taken by professional photojournalists. The data was collected via semi-structured, two-person interviews known as dyadic interviews. Participants were recruited by way of purposive and snowball sampling. In the end, four dyadic interviews were conducted which involved eight individuals in total. During each interview, two participants looked together at four viral news photographs and discussed their thoughts and feelings based on an interview guide. All dyadic interviews were audio-recorded and transcribed. The study material—four transcripts—was finally analysed using a thematic analysis method. Themes were based on modes of media witnessing. The analysis reveals a fifth mode of response—first-hand witnessing—which is linked to an individual’s own experience and past. Finally, this study claims that an adapted framework constitutes a suitable way to analyse people’s engagement but that there is a need for further study of media witnessing.

This thesis analyzes news photographs related to the Old Town Square and its task is to explore the role of a place in a city and how it determines the myths in visual messages. The theoretical part focuses on the context of semiotics and news photographs and describes the possibilities in interpreting meanings of visual communication. In relation to photographic messages, it also reflects the analytical background at the level of myth, based on the work of Roland Barthes. Theoretical part also takes in account the symbolic and historical values of the Old Town Square. The analysis itself is based on a sample of 20 randomly selected photographs present in MF Dnes and Blesk, which cover events taking place in the Old Town Square between 1993 and 2013. Using comparative semiotic analysis it focuses on the visual content of news photographs in these journals, while observing how the Old Town Square takes part in the connotative chains and resulting myths.