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The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell StoryPatterson, Jason, 1982- 05 1900 (has links)
Mahler's Ninth Symphony, since its premier in 1912, has sparked much debate about its programmatic meaning. This thesis provides an in-depth analysis of the Adagio and an examination of the controversy of the farewell story. In the process of the analysis I have compared my findings to some of the important authors in Mahler's field such as Vera Micznik, Henry-Louis de La Grange, and Christopher Orlo Lewis. Some of the conclusions are that a closer investigation of the music is necessary and that the programmatic reading of the farewell story can be appropriate.
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O Beethoven de Wagner em O Nascimento da Tragédia de Nietzsche / The Beethoven of Wagner in The Birth of Tragedy NietzscheOliveira, Sidnei de [UNIFESP] 25 March 2013 (has links) (PDF)
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Previous issue date: 2013-03-25 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta Dissertação tem como objetivo mostrar a recepção do Beethoven de Wagner na obra de
Nietzsche, mais precisamente em seu livro O Nascimento da Tragédia. Wagner tenta explicar
aos alemães as razões de Beethoven figurar no mesmo patamar de Goethe e Schiller, Wagner
utiliza-se de uma exposição do homem e do gênio Beethoven para chegar a esta conclusão. A
partir de uma breve análise da Nona Sinfonia podemos perceber porque esta obra foi tão
importante para Wagner dar sequência em seu drama musical, e justamente nesta junção que
houve da palavra com a música na composição de Beethoven é que Nietzsche vê a
importância destes dois compositores alemães, utilizando-os para sua primeira obra. Em
resumo, mostraremos a apropriação que Nietzsche realiza não apenas do texto Beethoven, mas
de Wagner e de Schopenhauer para explicar a questão musical no Nascimento da Tragédia. / This dissertation aims to show the reception of Wagner’s Beethoven in the work of Nietzsche,
more precisely in his book The Birth of Tragedy. Wagner tries to explain the reasons for the
Germans Beethoven appear at the same level of Goethe and Schiller, Wagner uses an
exposure of Beethoven as a man and as a genius to reach this conclusion. From a brief
analysis of Beethoven’s Ninth Symphony we can see why this work was so important for
Wagner to give sequence to his musical drama, and precisely at this juncture between word
and music in Beethoven’s composition Nietzsche sees the importance of these two German
composers, using them for his first work. In summary, we will show the appropriation that
Nietzsche performs not only of Beethoven, but of Wagner and Schopenhauer to explain the
musical issue in The Birth of Tragedy.
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Constructing an Architectural Model of Music - A Comparative Study of Beethoven's Ninth Symphony and Van Alen's Chrysler BuildingGalganski, Michael, 0000-0003-2462-2683 08 1900 (has links)
This dissertation introduces a methodic approach for constructing an architectural model of music, particularly when derived from connections between Beethoven’s renowned Ninth Symphony and New York’s celebrated Chrysler Building. Starting with a historical critique of non-systematic, or cursory surveys between the subjects of music and architecture, the author proceeds into a unique theory of art, which proposes that creative vehicles are inhabited by a kind of inspired genius. The study subsequently introduces sculpture as a “mediator” between our two main art-forms under discussion, and one that serves as an aid when embodying their associated concepts. The author then employs systematic terminology, or “spectrums” in parallel between these formal expressions, while simultaneously assembling the “Complex Array” for the mechanics of tonality in music. When applying this manner of analysis to William Van Alen’s Art Deco masterpiece and the famous romantic Symphony, a visual profile is lent to the catalog of music theory, alongside a harmonic interpretation of architecture, before concluding with how these artistic subjects are significantly distinguished from one another. / Music Theory
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