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The purpose of this study is to record the political attitudes of the major Edwardian novelists as they surveyed their contemporary world, diagnosed its maladies, offered suggestions for reform, and attempted to predict the course political life would take in the future.

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This thesis is concerned with recovering the literary history of Daphne Rooke, who experienced short-lived international fame as a South African novelist during the 1950s and 1960s. The value of this undertaking is predicated upon the fact that the author is currently enjoying something of a 'literary revival' within South Africa. with scholars persuasively arguing for Rooke's relevance within a post-apartheid literary culture. This obviously begs the question of why she was 'forgotten' in the first place; a question which is addressed within this, the first full-length literary history of the author. My thesis adopts an original methodological approach, as the lack of existing research into Rooke's original standing necessitates the use of analytical tools which open up alternative avenues of historical investigation. Accordingly, this thesis treats the cultural 'organs' attached to Rooke's novels in their capacity as published books - the imprints; dust-covers; sales figures; reviews; paperback reprints; ect. - as 'texts' which say something concrete about the contemporary value granted these works and their author. In the case of Rooke, a publishing-centred literary historiography is invaluable because it also exposes the degree to which the author's literary standing as a South African writer has been largely, and often negatively, influenced by forces emanating from the world of metropolitan and South African publishing. Furthermore, this thesis argues that a theoretical perspective which grants primacy to publishing practices is not only pertinent to a literary history of Rooke but to postapartheid literary studies in general. This is because the inherent weakness of South African publishing and, conversely, the strength of the metropolitan book industry, continues to determine what South Africans can make of their own literature.

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