Diploma thesis Media ethics with subtitle The media presentation of selected news across the Czech media consists of two main parts - theoretical and practical. Both of them deal with the issues of media communication, presentation and media ethics. The theoretical part defines the terms and individual relations between them, describes the historical and technological development of the media. It also shows ethical problems of nowadays society. Last but not least, the theoretical part summarizes the methodological approach of the practical part. The aim of the practical part is to analyze the selected report and its presentation in various types of media. The author focuses mainly on media ownership, media type, message processing, etc. The result of the analysis should be a clear outline that would provide the readers of this diploma thesis with all background material to objectively evaluate the presentation of the selected news from the point of view of media ethics.

This thesis deals with six texts by two of the best-known contemporary American novelists, namely Paul Auster and Thomas Pynchon. The thesis analyzes three most recent novels by each writer: Invisible, Sunset Park and 4 3 2 1 by Paul Auster and Against the Day, Inherent Vice and Bleeding Edge by Thomas Pynchon. All six novels explore various modes of authenticity - a notion which in each author's work adopts specific mechanisms of establishing ways of existing within the world that are directed towards a critique of the forms of society that try to limit individuals, confine them to prescribed objective categories. Chapters I to IV establish one by one the primary approaches to understanding how authenticity works within individual novels. First two chapters explore Paul Auster's works, and emphasize their portrayal of change as an organizing leitmotif. Chapters III and IV deal with selected works by Thomas Pynchon and analyze their use of entropy and information overload within individual narratives. The final chapter then combines all these notions and provides a comparative analysis and a critical interpretation of all six works against a theoretical and critical framework. The thesis explores the differences between Auster's and Pynchon's approach to authenticity, notions of the subjective or the...

Title: Objectivity of gymnasts' achievements judging in relation by Code of Points Men's Artistic Gymnastics changes The problem of our work is an objectivity of gymnastics way of ranking or judging. Analysis of results reached at chosen men's artistic gymnastics competition and also a method of gymnastics judging was used for solving purpose of our thesis. The evaluation of gymnasts achievements are realized by referees according to Code of Points (CoP) Men's Artistic Gymnastics (MAG), which are periodically changed. The purpose was verify possibility of determination degree of objectivity judging gymnastic performances in relation to changes rules of men's artistic gymnastics realized in years 2006, 2009, 2013 through analysis of gymnastics results in seniors and juniors categories reached on important international competitions. We used methods and techniques of statistical description for ordinal data; Sign test; Wilcoxon test; contingency table and sign diagram for contingency table. For evaluation rate of interrater concordance referees of panel "B" or "E" we used ICC and Pearson's correlation coefficient. For evaluation of bilateral discriminability of reached gymnastics results we used SEM and calculation of Critical Differences. In connection with changes of CoP MAG on monitored period...

Thesis deals with media objectivity on the example of four Czech newspapers. Thesis in its theoretical part focuses on definition of media, journalist's role and their job which is influenced by many factors, socio-cultural context in which news production is implemented, outlines concept of media objectivity and describes media image of crime. Another part of thesis explains the terms concerning criminal procedure, qualifies rights and duties of criminal justice and a suspect person and finally concentrates on providing with information about offence by media and difficulties which can be appeared. Practical part of the thesis analyzes media objectivity through qualitative analysis of articles. Articles were chosen from four Czech newspapers (Aha!, Blesk, Mladá fronta Dnes, Právo) and two time periods: October-November 2010 and March-April 2011. Research question asks: Did chosen newspapers inform about a murder of Anna Janatková in an objective way? Objective way of informing is examined in relation to rights and duties of suspect and to protection of victims.

The purpose of this thesis is to examine the media bias of the selected Czech newspapers. The study is conducted through a modified method for the measurement of the media bias, introduced by Gentzkow and Shapiro (2010). The media bias here means the use of the politically loaded language in the newspapers. The method is based on the comparison between the partisan language of the political parties represented in Parliament and language of the selected newspapers. This is carried out by comparing the phrases frequencies in the parliamentary speeches assigned to a coalition or an opposition and in the newspaper content. The analysis of the statistical dependence of newspaper's language and the partisan speech provides the evidence that Hospodářské noviny and Lidové noviny use language more similar to a coalition. Content of Mladá fronta Dnes, Blesk, Právo a Haló appear to be closer to an opposition parties.

This thesis is concerned with processes of decontextualization and recontextualization of non-governmental organizations in discourse of news and public affairs of Czech television. Due to the so called european migrant crisis and other domestic or foreign events, which have recently taken dominant place in TV news, critique of Czech television's broadcasting has increased significantly. Mostly it's aimed towards supposed bias, unbalanced reporting, tendentious way of approaching guests and favoritism of certain NGOs, just to name a few. Thesis is divided into three parts, gradually presenting theoretical framework including some related terms (intertextuality, dialogism, media bias etc.), methodological approach and practical elaboration of analysis. The method used is critical discourse analysis, loosely based on Fairclough's threedimensional model of CDA. Main goal of the analysis is to find out whether there are aspects of implicit ideologies or media bias in examined utterance.

The thesis "Analysis of political news in Czech newspapers during the parliamentary elections of 2017" examines the media coverage of the election in the daily newspapers Lidové noviny, Hospodářské noviny, Mladá fronta DNES, Právo and Blesk. This will be done using content analysis. The theoretical part outlines the role of the media in the political life of society and social responsibility which results from it and becomes even more important before an election. On the basis of the theoretical knowledge of the available literature, normative media requirements are described and I focus on normative requirement of objectivity and its criterion of impartiality, which is based on balance and neutrality. Furthermore, I will analyse the compliance with legislative normative requirements, in particular the regulation Zákon č. 247/1995 Sb. o volbách do Parlamentu České republiky which relates to media reporting pre- election. Another part of the thesis is devoted to the framing of media content, which can lead to a departure from informing society about the relevant political issues crucial for political decisiveness. An integral part of the theory is foreign research of a similar vein, which was the basis for the operationalisation and the making of my own research.

The project New Faces is a series of portraits dealing with the theme of identity and its loss, human individuality and the phenomenon of ideal of beauty. Each of paintings depict different views on the same face, base on personal confessions of portrayed and his friends. Thus we can observe confrontation of the "subjective" and the "objective", where this supposed "objectivity" acquire the relative value in the context of other pictures. The project points to the problem of self-perception and it explores how human perception distorts the reality, especially if more factors (than just a visual image of reality) affects the person.

Diploma thesis deals with the manipulation of the photography, especially journalism. To bring the reader into context work starts with the first creation and the history of photography, early examples of manipulation of analog photography and its techniques. The main part focuses on the specifics and characteristics of the digital era in relation to the photographs, handling technology in digital photography and the possibilities of detection. Thesis reflects manipulation of photographs on social networks and the prestigious photographic competitions and the question of objectivity. Considering how it is in the background handling adjustments with confidence in the photo and that picture can be adjusted to detect and effectively to defend against them. Due to the nature of the digital society and a number of factors that the creation and publishing of photographs accompanying the photo we have to think critically and understand its truth value as intersubjective.

This thesis deals with the manipulation of a photograph. The first part is the theoretical framework, which is used in subsequent chapters by analyzing selected examples primarily reflecting concepts such as authenticity, objectivity, truth value or manipulation. Outside the theoretical framework is mentioned in the introductory parts of the historical evolution of analogue photography which flows into the history of digital photography. In the analytical part of the study we work with selected manipulative techniques (arrangements, retouching, photomontage, digital cloning, exchange heads, manipulation accompanying text or photos without referents) which are applied to individual examples using the theoretical framework from the first part. The study answers to our research questions, namely is it still possible to understand photography as an objective and trustworthy visual medium and is it possible to defend against the visual manipulation? The analysis shows that in the context of industrial practices in the photo and their availability has truth value of photographs as its objective quality not by its nature possible, while research and methods in detecting manipulation are crucial, but the amount of video material is still essential defense against manipulation of critical thinking. Key...