1 |
Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in ChicagoJanuary 2016 (has links)
abstract: This research paper recounts the work done in founding an opera company and putting on its inaugural show. It also provides some of the insights acquired during the process, which may be helpful for other future opera producers in creating a framework and guideposts for starting their own companies. The paper consists of two main sections followed by several short appendices.
The first section methodically reconstructs the process by which Windy City Opera's La Bohème was brought to the stage. It covers the background experiences that prompted the author to found her own company, the research and decisions involved, and the interplay between the company's overall goals and the resources available for a first production. The business, casting, rehearsing, and marketing aspects are reviewed in detail, as well as several mistakes that were made during the process that afforded valuable learning opportunities.
The second section follows up on these and other opportunities by sketching an ideal plan that opera startups might follow; the principal topics are timeline, budgeting, fundraising, venue selection, personnel selection, and marketing.
The appendices consist of worksheets and materials meant to illustrate and supplement this written how-to guide, as well as a video of the Windy City Opera production of La Bohème. / Dissertation/Thesis / Appendix B - Budget Worksheet / Appendix C - Artist Contract Template / Appendix M - La Bohème - Video / Doctoral Dissertation Music 2016
|
2 |
Making American opera in the 1990's: the co-commissioning and co-producing of Houston Grand Opera from the 1990-1991 through 2000-2001 seasonsMcKelvey, Michael Eugene 28 August 2008 (has links)
Not available / text
|
3 |
Making American opera in the 1990's : the co-commissioning and co-producing of Houston Grand Opera from the 1990-1991 through 2000-2001 seasonsMcKelvey, Michael Eugene, 1966- 08 August 2011 (has links)
Not available / text
|
4 |
Public Performances with Elemenetary School Vocal ClassesKavanaugh, Janette M. (Janette Mae) 01 1900 (has links)
The purpose of this study was to examine the justifications for and production problems of presenting elementary children in public performances.
|
5 |
A designer's approach to the original production of The MountainWilkerson, Dennis Lee, 1935- January 1968 (has links)
No description available.
|
6 |
Performance practice of Jody Nagel's opera Fifty-third Street : world premiere performance at Ball State University / 53rd StreetHuntington, Tammie M. January 2008 (has links)
The purpose of this study was to provide an analysis of the major arias and ensembles of Jody Nagel's Fifty-Third Street for performance practice, drawing upon a case study of the premiere. The opera Fifty-Third Street was composed in 1992 by Nagel for his dissertation project at the University of Texas at Austin. The librettist is Seth Wolitz, then a University of Texas faculty member. The opera examines the lives of two homeless men on 53rd Street in New York City, between 5th and 6th Streets, and the reactions toward them from various facets of society, including the church, art institutions, businesses and tourists. The opera was premiered at Sursa Performance Hall on the campus of Ball State University on April 12, 2007 with a subsequent performance on April 15, 2007.Both the piano/vocal score and the chamber orchestra score from the premiere have been examined in the analysis of the opera, in addition to the original treatise by Jody Nagel. The analysis is conducted from a performer's perspective and examines vocal aspects, including potential technical challenges, range and tessitura; musical aspects, including formal analysis, tonality, melody, harmony and rhythm in relation to the text; drama and staging, and character motivation for each of the major arias and ensembles. Suggestions are offered for practice and performance based upon the analysis and informal interviews with the composer, conductor, directors, cast and crew of the premiere performance. Appendices include scene charts, costume lists, lighting and projection cues, original set and publicity materials, and a DVD recording of the world premiere performance.Many composers throughout the centuries have used opera as a way to comment on the world in which they lived and to challenge the status quo: Mozart, Le nozze di Figaro; Verdi, Un ballo in maschera; Berg, Wozzek; Britten, Peter Grimes. Jody Nagel has continued this tradition in a way that is powerful and compelling. Future directors will discover that Fifty-Third Street offers an invaluable tool for the musical development of students and professionals, for the growth of the American opera repertory, and for challenging the American way of life. / School of Music
|
7 |
The Gran Teatre del Liceu in Catalan culture : history, representation and mythAllwood, Charlie January 2014 (has links)
This thesis examines the position of Barcelona’s Gran Teatre del Liceu within Barcelona’s cultural lanscapeas a means of exploring its modern-day role as one of Europe’s most important opera houses. Other studies of the Liceu have provided extensive historical narratives, but have rarely considered any kind of sociological or cultural theory when analysing the theatre’s role in the city. Chapter 1 explores the Liceu in Spanish and Catalan literature and dramaturgy and questions its role as a representative of upper-class Barcelona culture, and the changes this role has undergone over the course of Spain’s transition to democracy. The Liceu’s location in the adjacent Raval district is examined in Chapter 2: the area has undergone considerable physical and demographic changes over the last decades, and the opera house’s relationship to this area and the larger Barcelona context is discussed in some detail. The third chapter contextualises the Liceu within the wider Catalan cultural panorama and examines the impact of the recession in Spain, which has greatly affected cultural spending, and consequently the theatre’s programme. This problem has been aggravated by an awkward, opaque system of management; the thesis provides examples and analysis of the difficulties the theatre experienced between 2010 and 2013. The final chapter seeks to underline the efforts of the artistic direction to make the Liceu a referent of modern European operatic productions, with three case studies of stagings that represent modern interpretations of opera by contemporary Catalan directors. These works have been chosen as representative of the Liceu’s determined modernisation of the operatic spectacle and of its commitment to local artists. The thesis aims to present a more critical view of Barcelona’s opera house that goes beyond chronological narrative and anecdote in depicting the modern-day situation of the institution and its place in the Barcelona context.
|
8 |
An evening of American operas : an architectural approach to designBrunner, Stefan H. January 1994 (has links)
Considered apart from the concrete; general; theoretical; hence, difficult; ideal. 2. A summary of epitome; a generality, in law, a compendium; in logic, an abstract idea or term; in grammer, an abstract noun, as virtue, goodness, etc.* / Department of Architecture
|
9 |
Guide to Opera Stage Management for the Aspiring Theatrical Stage ManagerMolnar, Lee Marc 28 May 2015 (has links)
No description available.
|
10 |
Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878Smith, Jacob H. 20 July 2016 (has links)
No description available.
|
Page generated in 0.0859 seconds