Thesis (M.A.)--Eastern Illinois University, 2008.

Thesis (D.M.A.)--University of Texas at Austin, 2004. / Supervisor: Kevin Puts. Vita. Includes bibliographical references.

Thesis (Master of Music)--University of Missouri-Columbia, 2004. / Typescript. Also available on the Internet.

Thesis (M.M.)--University of Missouri--Columbia, 2004. / Typescript. Duration: ca. 32:00.

Thesis (Master of Music)--University of Missouri-Columbia, 2004. / Typescript. Also available on the Internet.

Symphony No. 1 "Concertante" is a work of approximately twenty-two minutes duration for chamber orchestra. The work is scored for flute (doubling piccolo), oboe (doubling English horn), B-flat clarinet, bassoon, trumpet, F horn, trombone, tuba, percussion, harp, piano (doubling celesta), solo violin, solo viola, solo cello, solo double bass, and strings.The percussion battery, which is to be played by one performer, includes three timpani, vibraphone, orchestra bells, xylophone, chimes, suspended cymbal, bass drum, snare drum, and two triangles. One group of instruments, including the eight winds, percussion, and the four solo strings, is treated primarily in a soloistic manner although it also functions as a part of the ensemble. The remaining group, piano, harp, and strings, functions primarily as an accompanying group although it does get some soloistic treatment. The work is in four movements, each of which uses the traditional symphonic form. Movement I is in sonata-allegro form, movement II a simple ternary "song" form, movement III a scherzo and trio, and the final movement is a theme and variations. These traditional forms apply only to thematic use and development, however, for the tonal scheme is developed in a broader design which unfolds throughout the course of the four movements. All important melodic ideas are based on the same pitch set that serves as the basis for the tonal scheme.

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