- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 81 to 90 of 168 (0.035 seconds)| 81 |
A study on compositional structure in Max Reger Phantasie für Orgel über den Choral, "Hallelujah! Gott zu loben, bleibe meine Sellenfreud!" /Liu, Hsin-Hung. January 2004 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2004. / Vita. Includes bibliographical references (leaves 95-97).
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The development of organ playing in Boston and New York, 1700-1900Bakken, Howard Norman, January 1975 (has links)
Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1975. / Typescript. Vita. Includes bibliographical references (leaves 156-162).
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The influence of the plainsong restoration on the growth and development of the modern French liturgical organ schoolVan Wye, Benjamin David, January 1970 (has links)
Thesis--University of Illinois at Urbana-Champaign. / Vita. Includes bibliographical references (leaves 121-130).
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Marcel Dupré the culmination of the French symphonic organ tradition /Dries, Daniel Michael. January 2005 (has links)
Thesis (D. Creative Arts)--University of Wollongong, 2005. / Title from PDF title page (viewed on Aug. 13, 2005). Ill., musical examples, and most tables present in print version are lacking in the electronic version, as are accompanying sound recordings on 2 compact discs. Includes bibliographical references (p. 185-191) and discography (p. 192-193).
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Dietrich Buxtehude's 'Nun freut euch, lieben Christen gmein' : the culmination of chorale fantasy /Lee, Jiyoung. January 2005 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2005. / Vita. Includes bibliographical references (leaves 106-110).
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Symphony for organ and orchestraMiller, Max Burdoff January 1955 (has links)
Thesis (Ph.D.)--Boston University
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A survey of contemporary organ music in CanadaBaker, Kathryn J., Baker, Kathryn J. January 1980 (has links)
No description available.
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A reconstruction of authentic performance in selected organ works of Cesar Franck from historical sources and recorded performancesEdgecombe, Colleen Jane January 1995 (has links)
A Dissertation submitted for the Degree of Master of Music
to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, 1995 / This study is an investigation of the performance practice observed by organists when recording
the organ works of Cesar FrancK against the criteria of score, instrument and tradition. Based on
these findings, a more informed reconstruction of the interpretations and manners of
performance employed by the composer and his contemporaries is obtained.
[Abbreviated Abstract. Open document to view full version] / MT2017
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THE ORGAN WORKS OF DIETRICH BUXTEHUDE (1637-1707) AND MUSICAL-RHETORICAL ANALYSIS AND THEORYCOUCH III, LEON WHELAND 15 September 2002 (has links)
No description available.
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Some Aspects of the French Organ Symphony: Culminating in the Symphonie Passion of Marcel Dupré: Together with Three Recitals of Selected Works of D. Buxtehude, J.S. Bach, N. Dello-Joio, P. Hindemith, S. Karg-Elert, J. Langlais, W. Latham, F. Liszt, N. Lockwood, F. Martin, D. Pinkham, L. Sowerby, and L. VierneKean, Patricia June (Patricia June Forman), 1933- 08 1900 (has links)
The lecture recital was given July 10, 1973. The Symphonie-Passion by Marcel Dupre was performed following a lecture on various factors that influenced the development of the organ symphony in France. In addition to the lecture recital, three other public recitals were performed, including solo compositions for the organ and three chamber works for organ and instruments. The first solo recital, including works of J. S. Bach, P. Hindemith, L. Sowerby, and L. Vierne, was performed on June 4, 1969. On April 17, 1970 the second solo recital was performed. Compositions by J. S. Bach, D. Buxtehude, M. Duprd, N. Dello Joio, S. Karg--Elert, and J. Langlais were included in the program. On January 25, 1971, a program of organ chamber works by N. Lockwood, D. Pinkham, and F. Martin, as well as solo works by F. Lizst, W. Latham, and Marcel Duprl, was performed. The four programs were recorded on magnetic tape and are filed with the written version of the lecture as a part of the dissertation.
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