The thesis "The book printers Jiří Jakubův Dačický and Jan Othmar Jakubův Dačický" deals with the lives and printing activities of the named book printers, who worked in the Old Town in Prague at the end of the 16th and the beginning of the 17th century. The thesis is based on the primary and secondary sources and preserved old prints from their production. Its aim is to clarify unknown parts of the history of the book printing in Prague and to discuss its unjustly neglected printing workshops. The text is divided into five main parts. The first one deals with the careers of the named printers and with the analysis of their private and professional lives. The second part interests in their printing production. The prints were divided into thematic groups and described according to literary-historical and library scientifical aspects. The studied prints were examined in their relationship to their previous and subsequent publications by other printers, too. The third part is the typological- typographical analysis. Here the autor focuses on typographical form of the prints, used typesetting, decorating, etc. The aim was not only to register used typographical material of the studied printers in time, but also to find out how much these (and possibly other contemporary) printing works cooperated,...

La présente thèse procède à une analyse archéologique des discours sur le « romantisme politique » sous la République de Weimar pour mettre en évidence que ce paradigme constitue un idéologème fondamental de l’univers intellectuel et politique de l’époque. Par le recours à une conception de la « réception » qui met entre parenthèses la fonction « auteur » il s’agit d’analyser les stratégies discursives qui se structurent autour du paradigme « romantique » entre 1918 et 1933. A partir de l’étude d’un corpus d’auteurs pour qui la référence romantique est centrale (Sigmund Rubinstein, Carl Schmitt, Hans Freyer, Othmar Spann, Karl Mannheim, Wilhelm von Schramm, Paul Tillich) ainsi que des réseaux sociaux qui s’organisent autour d’eux, il est possible d’affirmer l’existence d’une sensibilité « romantique » centrale au monde weimarien, qui transcende les oppositions politiques traditionnellement conçues comme imperméables (gauche/droite, conservateur/progressiste, nationaliste/universaliste, etc.) et qui se construit dans l’opposition fondamentale à l’individualisme matérialiste du libéralisme capitaliste. / This PhD thesis offers an archeological analysis of the discourses on « political romanticism » in the Weimar Republic. It shall endeavour to analyze the discursive patterns which revolved around the « romantic » paradigm between 1918 and 1933 by resorting to a concept of « reception » which minimizes the importance of the « author ». By studying the works of thinkers who explicitly refer to « political romanticism » (Sigmund Rubinstein, Carl Schmitt, Hans Freyer, Othmar Spann, Karl Mannheim, Wilhelm von Schramm, Paul Tillich) and the social networks they belong to one may assert the existence of a romantic « sensibility » which is at the core of the intellectual universe of the Weimar Republic, transcends political differences traditionally considered as essential (left/right, conservative/progressive, nationalist/universalist etc.) and is fundamentally opposed to the materialist individualism of capitalist liberalism.