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The impact of the dissolution of the monasteries on patronage structures in Yorkshire and East Anglia /Housez, Janis Claire. January 1997 (has links)
No description available.
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The artful hermit Cardinal Odoardo Farnese's religious patronage and the spiritual meaning of landscape around 1600 /Witte, Arnold Alexander. January 1900 (has links)
Thesis (Ph. D.)--Universiteit van Amsterdam, 2004. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 299-331).
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The Visual Arts Philosophy of Roman Catholicism as Manifested in the Works of Four Commissioned Artists Completed for the 1987 Sanctuary of St. Rita's Catholic ChurchSiber, Elizabeth G. (Elizabeth Gaye) 08 1900 (has links)
This thesis investigates how the visual arts philosophy promulgated in the 1960s by the Second Vatican Council of Roman Catholic Churches is manifested by commissioned artists for a particular parish. The primary data were the new sanctuary and the artworks, which include stained glass by Lyle Novinski, a carved-glass Marian Shrine by Claire Wing, bronze Stations of the Cross by Heri Bartscht, and wooden medallions depicting two saints carved by Don Schol. This paper reviews pertinent ecclesiastical doctrines along with interpretational publications, physically and iconographically describes the sanctuary and artwork, and considers aspects of the relationship between patron churches and the artists they commission.
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The patronage of the Spiritual Franciscans : the roles of the Orsini and Colonna cardinals, key lay patrons and their patronage networksGraham, Emily E. January 2009 (has links)
The survival and success of religious reform groups in the late medieval period was often due to the efforts of an ecclesiastical patron, a powerful and often wealthy individual who exerted their influence on behalf of the group or their leaders and spokesmen. This thesis uses the wealth of documentation available on the Spiritual Franciscans to explore the origin, development and wider effect of the relationships between the most powerful ecclesiastical patrons of the reformers and their clients, spokesmen for the Italian Spirituals at the papal court who were taken into the patrons’ households for years or even decades. During that time, the political fortunes of the different groups of Spiritual Franciscans fluctuated dramatically: in only a handful of years they went from hopeful expectation at the Council of Vienne c. 1311 to heresy trials, imprisoned spokesmen and friars burned at the stake c.1317-1318. Using testaments from the patrons’ families and the patrons themselves, the thesis explores the possible reasons for the patrons’ initial attraction to their Spiritual Franciscan clients. Letters, chronicles and exegetical texts written by the clients during and after their time in the patrons’ households are examined along with papal registers and other narrative and epistolary sources to develop models of the nature and progression of the patronage relationship, and how it survived in the face of periods of intense disapproval and harassment from the papacy, other prelates and some members of the Franciscan hierarchy. After establishing a framework for the progression of the patronage relationship, evidence of art patronage and other religious and patronage interests that the patrons and clients shared is used to develop a deeper understanding of how the patrons’ choice to involve themselves with the Spiritual Franciscans positively or negatively affected others in their orbit, especially their other clients.
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