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Selected songs by Vincent PersichettiHolzmeier, Jana Jo, Grubbs, John Whitfield, Wiley, Darlene C., January 2003 (has links)
Thesis (D.M.A.)--University of Texas at Austin, 2003. / Supervisors: John Grubbs and Darlene Wiley. Vita. Includes bibliographical references. Also available from UMI.
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An analysis of the organ and harpsichord music of Vincent Persichetti.Pringle, Margaret Ann. January 1968 (has links)
Thesis (M.A.)--University of Rochester, 1968. / Typewritten. Bibliography: l. 240-241. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3321
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A structural analysis of the Symphony for Band by Vincent Persichetti /Christie, John P. January 1971 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University, 1971. / Includes bibliographical references (leaf [42]).
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Selected songs by Vincent PersichettiHolzmeier, Jana Jo, 1963- 07 July 2011 (has links)
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Style and compositional techniques in Vincent Persichetti's ten sonatas for harpsichordMinut, Mirabella A. January 2009 (has links)
This dissertation presents the ten sonatas for harpsichord written by American composer
Vincent Persichetti (1915-1987). The research aims to define the specific approach to musical
style that Persichetti embraced in these works. The methodology employs an analytical approach
to define that style. The introductory chapter places the harpsichord sonatas in the context of
Persichetti’s keyboard repertoire and his general musical output and outlines the limited
scholarly research available on the topic. The second chapter contains a short biography of the
composer and a review of existing literature pertinent to this study. In the third chapter, the ten sonatas are individually analyzed. The concluding chapter summarizes common stylistic traits found in the analyses. It emphasizes the importance of these works for contemporary
harpsichordists, denoting Persichetti’s passion for the rediscovered instrument in the last several years of his life. The stylistic elements found in Persichetti’s harpsichord sonatas include the use of classical forms, the preference for contrapuntal craft as exemplified accompanied melody, mirror technique, and complementary rhythms, the amalgamated harmonic language, the frequent use of polychords, the use of dynamic markings as indicators of the registration as well as for musical expression and the use of the full range of the harpsichord. This research references for the first time the composer’s Tenth Harpsichord Sonata, published posthumously in 1994. / School of Music
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Eclecticism and the American piano sonata : the assimilation of neoclassicism and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee Finney /Schumann, Michelle Vera. January 2003 (has links)
Treatise (D.M.A.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references (leaves 150-152). Also available also in an electronic version.
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Eclecticism and the American piano sonata the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee Finney /Schumann, Michelle Vera. January 2003 (has links)
Treatise (D.M.A.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references. Available also from UMI Company.
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Vincent Ludwig Persichetti's Parable for Solo Flute (Alto or Regular): A Study of Its Compositional Elements: Together with Recitals of Selected Works of Beethoven, Devienne, Handel, Hummel, Kreutzer, and OthersZoloth, Alan Gary 12 1900 (has links)
This dissertation focuses on the first Parable of Vincent Ludwig Persichetti, written for alto flute in 1965. Persichetti spent from 1965 to 1986 (almost the last twenty years of his life) composing twenty-four additional Parables for various solo instruments, instrumental combinations, and even one in the form of an opera.
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Eclecticism and the American piano sonata: the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee FinneySchumann, Michelle Vera 28 August 2008 (has links)
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Eclecticism and the American piano sonata : the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee FinneySchumann, Michelle Vera 08 August 2011 (has links)
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