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1	Keys and modes, functions and progressions in Mussorgsky's Boris Godounov Carr, Maureen A. January 1900 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography. Mussorgsky, Modest Petrovich,
2	Evolution of style in the songs of Modest Mussorgsky Fox, Andrew Criddle, January 1974 (has links) Thesis (Ph. D.)--Florida State University, 1974. / Vita. Includes bibliographical references (p. 135-137). Mussorgsky, Modest Petrovich,
3	The influence of Moussorgsky on Debussy Yaffe, Anna. January 1935 (has links) Thesis (M.A.)--University of Wisconsin--Madison, 1935. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves i-v at end).
4	A Voltaire for Russia? : Alexander Petrovich Sumarokov's journey from poet-critic to Russian philosophe / Ewington, Amanda. January 2001 (has links) Thesis (Ph. D.)--University of Chicago, Dept. of Slavic Languages and Literatures, June, 2001. / Includes bibliographical references. Also available on the Internet.
5	The beginnings of a Russian natural history : the life and work of Stepan Petrovich Krasheninnikov (1711 - 1755) / Koroloff, Rachel. January 1900 (has links) Thesis (M.A.)--Oregon State University, 2008. / Printout. Includes bibliographical references (leaves 143-152). Also available on the World Wide Web.
6	The Song Cycles of Moussorgsky Blank, Florette Mary 01 1900 (has links) This study outlines the history of and development of Russian music, leading into the song cycles of Modest Petrovich Mussorgsky. Modest Petrovich Mussorgsky Modest Petrovich Moussorgsky song cycles Russian music musical analysis
7	An experimental investigation of Pavlov's cortical irradiation hypothesis Dittmer, Daniel Guequierre, January 1940 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 1940. / Typescript. Includes abstract and vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 47-49).
8	The shaping of Modest Moussorgsky's musical language : an assimilation of social, artistic and folk influences / Benbalit, Tatiana I. January 2006 (has links) Thesis (D. Mus. Arts)--University of Washington, 2006. / Includes bibliographical references (leaves 144-147).
9	Mussorgsky's Pictures at an exhibition : an analytical and performance study / Lee, Chen-Tien, January 1993 (has links) Thesis (D.M.A.)--Ohio State University, 1993. / Includes bibliographical references (leaves 102-105). Available online via OhioLINK's ETD Center
10	Nobody's Fool: A Study of the Yrodivy in Boris Godunov Pollard, Carol J. 12 1900 (has links) Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds a concluding lament by the fool character that serves as a warning to the people of Russia beyond the scope of the opera. The use of a fool is significant in Russian history and this connection is made between the opera and other arts of nineteenth-century Russia. These changes are, musically, rather small, but historically and socially, significant. The importance of the people as a functioning character in the opera has precedence in art and literature in Russia in the second half of the nineteenth-century and is related to the Populist movement. Most importantly, the change in endings between the two versions alters the entire meaning of the composition. This study suggests that this is a political statement on the part of the composer. opera russian history Musorgsky

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