Lobiettivo di questo lavoro è ricostruire le fasi più importanti della ricezione delle opere di Pirandello attraverso i giornali, le riviste letterarie, e le tesi di master e di dottorato e analizzare gli studi realizzati da alcuni intellettuali brasiliani, per creare un apparato critico, iniziando dallarticolo di Oswald De Andrade e giungendo fino allepoca contemporanea. È stato possibile realizzare questo lavoro consultando gli archivi bibliografici digitalizzati italiani e brasiliani. Nel contesto latino-americano e italiano lo studio della ricezione critica delle opere Pirandelliane si intreccia con la storia degli eventi socio-culturali dei due Paesi: Italia e Brasile. Nella prima parte cè la rassegna bibliografica degli articoli, pubblicati nelle testate giornalistiche e nei periodici. Le analisi sviluppate nella seconda parte sono maturate invece nel grande e immenso contesto bibliografico di recensioni e saggi dedicati al nostro drammaturgo, scegliendo i più interessanti. / O objetivo deste estudo é reconstruir as fases mais importantes da recepção das obras do dramaturgo italiano através dos jornais, das revistas literárias, e das dissertações de mestrado e doutorado; pode-se encontrar uma coletânea de ensaios dos intelectuais brasileiros, com um aparato crítico-literário, iniciando pelo artigo de Oswald De Andrade até a época contemporânea. Foi possível realizar este trabalho consultando os arquivos bibliográficos digitalizados italianos e brasileiros. No contexto latino-americano e italiano, o estudo da recepção crítica das obras pirandellianas se conectam com a história dos eventos sociais e culturais de dois Países: Itália e Brasil. Na primeira parte pode-se ler a revisão bibliográfica dos artigos, publicados nos jornais e periódicos que contam as fases diferentes das primeiras reações no ambiente intelectual brasileiro. O estudo desenvolvido na segunda parte amadureceu no imenso contexto bibliográfico de resenhas e ensaios, dedicados ao nosso dramaturgo, permitindo de realizar uma seleção de ensaios mais interessantes.

There is no abstract available for this thesis.

Men don't cry (creation). In a neighborhood of a large North American city, a loaf of rye bread brings back adolescent memories to a middle-aged man. Bill remembers his College friends, Nick, Jack and Alec. They will all pass through the same Diner, the same evening, 20 years later without recognizing each other. Those of them who will cross paths will die that same night. It's a story about chance. It's a free cinematographic adaptation of four short stories from three different authors: The Rye Bread by Ray Bradbury, Continuite des parcs and N'accusez personne by Julio Cortazar as well as Fat by Raymond Carver. / Illuminations: From Pirandello toward Kaos ( criticism). When the filmmakers the brothers Taviani decide to undertake their adaptation of Luigi Pirandello's four short stories for the screen, they choose Kaos for the title of their film. Through the study of two of the four adapted short stories, this thesis tries to demonstrate that the adaptation of a literary work or a written text to a filmic text necessarily passes through a chaos that separates the two very different languages. The interpretative work consists of passing through this same chaos using different writing and mise en scene techniques. The aim of this short study is to dissect the links that exist between the two very distinct entities, the written text and the filmic text, through a magisterial and concrete example.

Thesis (M.A.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Cette thèse propose une étude sur un des écrivains italiens contemporains les plus connus (en Italie et à l’étranger), Antonio Tabucchi (1943-2012). Dans cette thèse nous tenterons de comprendre deux topoi au sein de l’œuvre tabucchienne : le rapport auteur-personnage-lecteur et l’engagement de l’écrivain, qui sont étudiés à la lumière de son travail journalistique et littéraire. Dans la deuxième partie on analyse l’œuvre tabucchienne à la lumière de l’influence de Luigi Pirandello (1867-1936) et Fernando Pessoa (1888-1935). Une autre remarque importante est que l’imagination et l’engagement de l’écrivain, forment un binôme dans l’œuvre tabucchienne. Un autre sujet exploré est comment l’engagement de l’écrivain se présente dans les articles que Tabucchi a écrit pour plusieurs journaux en Italie et en Europe. À travers cette recherche on a essayé de remplir le vide laissé dans un panorama italo-français dans lequel, malgré les nombreuses études sur l’œuvre tabucchienne, souvent différents aspects analysés dans cette recherche avaient été mis de côté. Et si la critique a davantage cherché à scinder les deux moments de littérature fantastique et engagée, dans ce travail on a essayé de ne pas les séparer, afin de fournir un portrait le plus possible exhaustif de l’écrivain toscan / This Thesis is about one of the country's best-known (in Italy and elsewhere) contemporary author Antonio Tabucchi (1943-2012). It makes an attempt to understand two literary topos of Tabucchi’s work: the writer-reader-character bond and the writer commitment, studied using his journalistic and literary work. The second part of this Thesis compares Tabucchi’s work with two writers, Luigi Pirandello (1867-1936) and Fernando Pessoa (1888-1935), who have inspired Tabucchi in his work. An important observation is that the author imagination and author commitment form a harmonic duo in Tabucchi’s writing. Another area investigated is how the author commitment can be seen in Tabucchi’s articles published in several newspapers in Italy and Europe.My interest for this research is based on my observation that, despite the numerous researches done about Tabucchi, these themes have been treated only superficially. The critics often divide Tabucchi’s literary work in two (the fantastic literature and author commitment). This Thesis doesn’t make a separation between these two, and thus it aims to provide an exhaustive portrait of the Tuscan writer

No description available.

No description available.

Diss.--Bern. / Vita. Includes bibliographical references.

Thesis (Ph. D.)--UCLA, 2005. / Vita. Includes bibliographical references (leaves 220-231).

Texte remanié de: Tesi di laurea. / Bibliogr. p. 99-101.