The topic: Identification of the important tactical problems in the action game - set plays. The target of the work: According to the analysis of the set plays in football European Championship in 2012 we had to determine characteristical points and measure of frequency of the set plays that lead up to overcome the rival defense and then end the scoring or endanger the rival goal. There were created typologies and applications . The method: The research was created by the method of the indirect structured observation on DVD. Therefore it is both qualitative and quantitative research. The results were written down in graphs. The results: The results of this work present the succesfull ways of set plays, the frequency of these ways and the most important factors of their succesfull using. These results suggest possible future trends of the set plays. Key words: Set plays, analysis, football

The subjects of film and theatre belong to an extensive hierarchical debate that has remained prominent within the realm of performing arts since the introduction of cinema in the late nineteenth century. A plethora of scholars choose to argue in favor of the former, suggesting that film surpasses theatre as superior in both aesthetics and overall execution of naturalism; however, the argument is purely subjective and cannot be applied to all films and their corresponding plays. As a counterclaim, theatre continues to thrive as a prominent source of artistic entertainment globally, not only offering a contemporary twist to preexisting texts, but also impacting an audience in methods that film will never be able to do so. Maria Friedman’s High Society is a primary example that reaffirms how theatre can triumph the continual debate when compared to its preceding film – The Philadelphia Story – directed by George Cukor, both artistically and through its overall execution of the profound topics represented within the original text. This thesis will primarily juxtapose Cukor’s iconic film with Friedman’s revival of the former that was performed in 2015 at London’s Old Vic theatre, offering an innovative rebuttal to the preexisting debate as well as to affirm the argument of how theatre compellingly transforms the mundane.