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The subject matter of this dissertation is the ways of representing the everydayness of life in poetic texts authored by members of Group 42. Of special interest is the category of time, as the transformation of understanding of this category is one of the cornerstone aspects of modern literature in the first half of the 20th century. Time as a category is reflected in Group 42 poetry through three principles used by the Group 42 authors to grasp and work with the time-space continuum and the place of humans in it. The fundamental principle of Group 42 poetry, which will be discussed in this thesis, is the fragmentarization principle. Using a fragment, the poet grasps the present, multi-layered moment and represents temporal discontinuity. Another principle of representation of everydayness the thesis will concentrate on is the principle of variations, which represents heading towards a unifying grasp of discontinuous everydayness. As opposed to the previous ways, notation in the form of diary entries then allows for the ability to better formulate the dynamics of successive temporal flow of everyday reality. The possibility of formulating the temporal mode on the field of a lyrical work is yet another topic discussed here. The temporal mode is then reflected in relation to the "myth of the modern humus", the proclamation of which was on the agenda of Group 42 in its time.