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Veronica Franco the courtesan as poet in sixteenth-century Venice /Rosenthal, Margaret F. January 1985 (has links)
Thesis (Ph. D.)--Yale University, 1985. / Includes bibliographical references (leaves 236-257). Also issued in print.
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Woman as hero the legend of Gaspara Stampa /Natalicchi, Patricia Lane, January 1986 (has links)
Thesis (Ph. D.)--Johns Hopkins University, 1986. / Vita. Includes bibliographical references (leaves 171-187). Also issued in print.
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3 |
Woman as hero the legend of Gaspara Stampa /Natalicchi, Patricia Lane, January 1986 (has links)
Thesis (Ph. D.)--Johns Hopkins University, 1986. / Vita. Includes bibliographical references (leaves 171-187).
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4 |
Keats and Coleridge: a comparison. / CUHK electronic theses & dissertations collectionJanuary 2013 (has links)
Jin, Lu. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts also in Chinese.
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Moderata Fonte’s Tredici canti del Floridoro: Epic Means, Political EndsColleluori, Tylar Ann January 2023 (has links)
This dissertation explores Moderata Fonte’s Tredici canti del Floridoro from a new critical perspective, by taking into consideration Fonte’s authorial positionality, situating the text within its literary and historical contexts, and devoting sustained attention to its extradiegetic and structural components. Through this framing, this study highlights Fonte’s innovation as an author of chivalric epic and reveals the Floridoro to be a text with political motivations.
The first chapter examines Fonte’s authorial persona and her metapoetics, both as they are written about by her contemporaries and as they are made manifest within the Floridoro. The remaining two chapters are devoted to an analysis of the two ekphrastic sub-narratives found within the Floridoro, and how they mirror Fonte’s dual dedication of the poem to Francesco I de’ Medici and Bianca Cappello: chapter 2 considers Fonte’s Medici genealogy as a response to a specific political moment and to the unique anxieties of her first dedicatee, while chapter 3 explores how Fonte’s history of Venice functions as a civic genealogy for her second.
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