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11	An exploration of the chine coll�e process Didier, Sean T. January 1990 (has links) Chine colle has evolved from a simple process used to reinforce the oriental printmaking papers used by the 19th century French artists to a means of expanding the aesthetic range of printmaking, particularly in combination with more traditional or widely known techniques. In the author's Creative Project, chine colle was used to achieve variations in texture, color, dimension, and overall aesthetic effect, as well as adding representational content to each piece.There were a number of technical problems which needed to be overcome in the execution of these pieces. These included problems relating to paper weight, adhesion, and color fastness. In addition, there are other suitability considerations which the printmaker must address in using chine colle. These include: texture, acceptance of ink, durability and price. The artist who successfully deals with these technical considerations will be able to use chine colle to its fullest advantage. This means having access to a wide range of colors, textures, and dimensions Possible through chine colle. It also enables the artist to exert greater control over these elements than can be achieved through other techniques.The historical, technical, and aesthetic evolution of the chine colle' process has brought it to a point where it can be an important part of the printmaker's repertoire. It is the author's hope that this potential will be fully realized in the years ahead. / Department of Art Prints -- Technique.
12	On intervals Kamata, Keiko January 2004 (has links) Thesis (M.F.A.)--University of Hawaii at Manoa, 2004. / Includes bibliographical references (leaf 35). / iii, 35 leaves, bound col. ill. 29 cm Prints, American
13	Interactions & answers / Murray, Philip. January 1989 (has links) Thesis (M.F.A.)--Rochester Institute of Technology, 1989. / Includes bibliographical references (leaf [27]). Art Prints
14	The influence of paper and printing conditions upon the unevenness of prints Karttunen, Simo. January 1968 (has links) Thesis--Helsinki. / Includes bibliographical references (p. [47]-48). Prints Printing.
15	Creature alterations, myth & transformations Mueller, Johanna. January 2009 (has links) Thesis (M.F.A.)--George Mason University, 2009. / Vita: p. 72. Thesis director: Helen Frederick. Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Art and Visual Technology. Title from PDF t.p. (viewed Oct. 11, 2009). Includes bibliographical references (p. 69-71). Also issued in print. Mythology. Prints
16	A catalogue and analysis of eighteenth-century French prints after Netherlandish Baroque paintings / Atwater, Vivian Lee. January 1988 (has links) Thesis (Ph. D.)--University of Washington, 1988. / Vita. Bibliography: leaves [398]-441. Prints Prints, French Painting, Baroque
17	Simplicity of form / Harrison, Tricia. January 1989 (has links) Thesis (M.F.A.)--Rochester Institute of Technology, 1989. / Includes bibliographical references.
18	An inquiry into new possibilities in intaglio and relief prints Reed, John Brice. January 1965 (has links) Call number: LD2668 .T4 1965 R324 Prints--Technique. Masters theses
19	Colour in line : Titian and printmaking Wivel, Matthias January 2011 (has links) No description available. 700 Prints--16th century
20	Multiple plate printmaking, vehicle for a journey into the invisible Brownlee, George Harlan, 1938- January 1968 (has links) No description available. Engraving. Prints -- Technique.

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