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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Instruments

Nelson, Sasha Lee 15 June 2010 (has links)
The Instruments installation represents the superimposition of two systems. The marketed elements that comprise the hegemony exerted by commodity culture are placed on top of the occult qabalistic Tree of Life. This overlaying makes the commentary that the pursuit of identity through commodified objects usurps and drowns out the natural fundamental components of the human psyche. The artist accomplishes this by creating various expressive multimedia sculptures out of actual objects. Each one is given a title that references a particular sphere on the Tree of Life glyph, for each piece is meant to represent that sphere’s aspect of the human entity as it is expressed in the commodity realm. The artist begins by introducing the reader to the artistic contexts and the various conceptual structures that serve to inform and describe his mode of working and its results. Subsequently, a detailed description of each work is given, simultaneously functioning as a necessarily brief survey of the spheres on the qabalistic glyph.
2

Instruments

Nelson, Sasha Lee 15 June 2010 (has links)
The Instruments installation represents the superimposition of two systems. The marketed elements that comprise the hegemony exerted by commodity culture are placed on top of the occult qabalistic Tree of Life. This overlaying makes the commentary that the pursuit of identity through commodified objects usurps and drowns out the natural fundamental components of the human psyche. The artist accomplishes this by creating various expressive multimedia sculptures out of actual objects. Each one is given a title that references a particular sphere on the Tree of Life glyph, for each piece is meant to represent that sphere’s aspect of the human entity as it is expressed in the commodity realm. The artist begins by introducing the reader to the artistic contexts and the various conceptual structures that serve to inform and describe his mode of working and its results. Subsequently, a detailed description of each work is given, simultaneously functioning as a necessarily brief survey of the spheres on the qabalistic glyph.

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