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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The myths of the American dream interracial and inter-ethnic relationships in Hollywood films /

Fyvie, Erica Gwen. January 1999 (has links)
Thesis (M.A.)--York University, 1999. Graduate Programme in Film and Video. / Typescript. Includes bibliographical references (leaves [126-131]). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ56174.
2

The 'film' on whiteness : depicting white trash in U.S. film, 1972-2002

Cunningham, Daniel, University of Western Sydney, College of Arts, Education and Social Sciences, School of Humanities January 2004 (has links)
This thesis examines various aspects of whiteness and white trash as it relates to films made between 1972 and 2002. Key to this discussion are the concepts of race and class because whiteness invokes race, and trash invokes class. How is white trash represented in cinema? To begin answering this question, one must call into question a conceptual framework of 'privileged whiteness' because when upper-middle-class whiteness is forced to recognise itself, a crisis occurs whereby whiteness can become trashed. This thesis argues from the outset that little distance exists between privileged whiteness and white trash because this ongoing 'crisis' maintains a proximity between both terms. The sopmetimes difficult relationship between privileged whiteness and white trash is explored in filmic case studies. A discussion of white trash must go beyond race and class, because place, age and sexuality also play a large part in making sense of the way white trash functions on screen. The second half of the work identifies specific modes of cinematic white trash production. These are camp white trash and queer white trash. In the former, the films of John Waters are discussed within a framework of 'camp/trash aesthetics'. The latter looks at queer white trash through a detailed analysis of the 1990's New Queer Cinema. Lastly, this thesis argues that the films discussed contribute to a concept of White Trash Cinema. / Doctor of Philosophy (PhD)
3

The ' film' on whiteness : depicting white trash in U.S. film, 1972-2002 /

Cunningham, D. M. January 2004 (has links)
Thesis (Ph.D.) -- University of Western Sydney, 2004. / Bibliography: leaves 262-270.
4

Star trek and history : race-ing toward a white future /

Bernardi, Daniel, January 1999 (has links)
Teilw. zugl.: Los Angeles, Univ. of California, Diss. u.d.T.: Bernardi, Daniel: The wrath of whiteness. / Filmography: p - Includes bibliographical references and index.
5

The color of Hollywood the cultural politics controlling the production of African American original screenplays, stage plays and novels adapted into films from 1980 to 2000 /

Ndounou, Monica White. January 2007 (has links)
Thesis (Ph. D.)--Ohio State University, 2007. / Full text release at OhioLINK's ETD Center delayed at author's request

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