Procedural human motion generation is still an open area of research. Most research into procedural human motion focus on two problem areas: the realism of the generated motion and the computation time required to generate the motion. Realism is a problem because humans are very adept at spotting the subtle nuances of human motion and so the computer generated motion tends to look mechanical. Computation time is a problem because the complexity of the motion generation algorithms results in lengthy processing times for greater levels of realism. The balancing human problem poses the question of how to procedurally generate, in real-time, realistic standing poses of an articulated human body. This report presents the balancing human algorithm that addresses both concerns: realism and computation time. Realism was addressed by integrating two existing algorithms. One algorithm addressed the physics of the human motion and the second addressed the prediction of the next pose in the animation sequence. Computation time was addressed by identifying techniques to simplify or constrain the algorithms so that the real-time goal can be met. The research methodology involved three tasks: developing and implementing the balancing human algorithm, devising a real-time simulation graphics engine, and then evaluating the algorithm with the engine. An object-oriented approach was used to model the balancing human as an articulated body consisting of systems of rigid-bodies connected together with joints. The attributes and operations of the object-oriented model were derived from existing published algorithms.

<p>As real time visualizations become more realistic it also becomes more important to simulate the perceptual effects of the human visual system. Such effects include the response to varying illumination, glare and differences between photopic and scotopic vision. This thesis evaluates several different tone mapping methods to allow a greater dynamic range to be used in real time visualisations. Several tone mapping methods have been implemented in the Avalanche Game Engine and evaluated using a small test group. To increase immersion in the visualization several filters aimed to simulate perceptual effects has also been implemented. The primary goal of these filters is to simulate scotopic vision. The tests showed that two tone mapping methods would be suitable for the environment used in the tests. The S-curve tone mapping method gave the best result while the Mean Value method gave good results while being the simplest to implement and the cheapest. The test subjects agreed that the simulation of scotopic vision enhanced the immersion in a visualization. The primary difficulties in this work has been lack of dynamic range in the input images and the challenges in coding real time graphics using a graphics processing unit.</p>

Culling out non-visible portions of 3D scenes is important for rendering large complex worlds at an interactive frame rate. Past 3D engines used static prebaked visibility data which was generated using complex algorithms. Hardware Occlusion Queries are a modern feature that allows engines to determine if objects are invisible on the fly. This allows for fully dynamic destructible and editable environments as opposed to static prebaked environments of the past. This paper presents an algorithm that uses Hardware Occlusion Queries to cull fully dynamic scenes in real-time. This algorithm is relatively simple in comparison to other real-time occlusion culling techniques, making it possible for the average developer to render large detailed scenes. It also requires very little work from the artists who design the scenes since no portals, occluders, or other special objects need to be used.

No description available.

Οι προγραμματιζόμενοι επεξεργαστές γραφικών (Graphics Processing Units - GPUs), είναι πανίσχυροι παράλληλοι επεξεργαστές και πλέον υπάρχουν σε κάθε σύγχρονο προσωπικό υπολογιστή (PC). Οι GPUs αναλαμβάνουν κι επιταχύνουν την σχεδίαση δισδιάστατων και τρισδιάστατων γραφικών στην οθόνη του υπολογιστή. Η εξέλιξή τους είναι τόσο ραγδαία τα τελευταία χρόνια, που πλέον ξεπερνούν σε πολυπλοκότητα τις σύγχρονες κεντρικές μονάδες επεξεργασίας (CPUs), ενώ είναι ικανές να επιταχύνουν εκτός από γραφικά κι άλλες απαιτητικές σε επεξεργαστική ισχύ εφαρμογές, όπως είναι η τεχνητή νοημοσύνη και η προσομοίωση φυσικών αλληλεπιδράσεων μεταξύ αντικειμένων (συγκρούσεις, εκρήξεις, προσομοίωση κίνησης υγρών) κ.α. Σκοπός της συγκεκριμένης εργασίας είναι η δημιουργία, η μελέτη και η βελτιστοποίηση αλγορίθμων σκίασης με χρήση GPUs. Ο όρος σκίαση (shading) αναφέρεται στην αλληλεπίδραση του φωτός με τα αντικείμενα ενός εικονικού περιβάλλοντος. Παρουσιάζονται τα εργαλεία (APIs) και οι γλώσσες προγραμματισμού των GPUs καθώς και τρόποι βελτιστοποίησης της εκτέλεσης των σκιάσεων που είναι ένα θέμα μείζονος σημασίας σε προσομοιώσεις πραγματικού χρόνου. / Graphics processing units (GPUs), are powerful parallel processors and today are found in every modern Personal Computer (PC). The GPUs accelerate the drawing of two and three dimensional graphics on the monitor of the PCs. The evolution of this hardware is very rapid the last decade and today these circuits are more complex than CPUs. They are capable of accelerating many demanding applications except graphics, like Artificial Intelligence and Physics Simulation. The purpose of this thesis is to implement, study and optimize the execution of shading algorithms that run on GPUs in real time. The term shading refers to the interactions between light and the material of every object in a virtual three dimensional environment. In this thesis we present the tools, the programming languages and techniques for optimizing the execution of the shaders which is a matter of major importance in real time simulations.

As real time visualizations become more realistic it also becomes more important to simulate the perceptual effects of the human visual system. Such effects include the response to varying illumination, glare and differences between photopic and scotopic vision. This thesis evaluates several different tone mapping methods to allow a greater dynamic range to be used in real time visualisations. Several tone mapping methods have been implemented in the Avalanche Game Engine and evaluated using a small test group. To increase immersion in the visualization several filters aimed to simulate perceptual effects has also been implemented. The primary goal of these filters is to simulate scotopic vision. The tests showed that two tone mapping methods would be suitable for the environment used in the tests. The S-curve tone mapping method gave the best result while the Mean Value method gave good results while being the simplest to implement and the cheapest. The test subjects agreed that the simulation of scotopic vision enhanced the immersion in a visualization. The primary difficulties in this work has been lack of dynamic range in the input images and the challenges in coding real time graphics using a graphics processing unit.

No description available.