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Musikalisk barnteater : Musikens funktion i barnteaterberättandet på Regionteatern Blekinge-KronobergNordstrand, Carolin January 2006 (has links)
<p>Muscial theatre for children – the function of the music in theatrical storytelling for children in Regionteatern Blekinge-Kronoberg. Sweden, Växjö, 2006.</p><p>The aim of this essay is to examine music in theatre for children. There is not much recent research about the subject so this essay is a way to discern this part of the theatre and to get more people interested in the matter. The survey will focus on how music is used in an institutional theatre (Regionteatern Blekinge-Kronoberg) that works with plays for children. The research consists of interviews with a composer, a director and analyzes of three plays for children played in Regionteatern Blekinge-Kronoberg. The music in the plays will be compared to recent theories about music in storytelling.</p><p>The music in the plays is used in different ways but often to explain things that are not told with words, for example feelings and description of characters. The way music is used is closely linked to how the director and composer think about music. An example is their central idea of music as a power that reaches directly to the audience. It is also important to keep in mind that it is adults that create theatre for children which means that the music and stories are always filtered by adult’s eyes and ears.</p>
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Musikalisk barnteater : Musikens funktion i barnteaterberättandet på Regionteatern Blekinge-KronobergNordstrand, Carolin January 2006 (has links)
Muscial theatre for children – the function of the music in theatrical storytelling for children in Regionteatern Blekinge-Kronoberg. Sweden, Växjö, 2006. The aim of this essay is to examine music in theatre for children. There is not much recent research about the subject so this essay is a way to discern this part of the theatre and to get more people interested in the matter. The survey will focus on how music is used in an institutional theatre (Regionteatern Blekinge-Kronoberg) that works with plays for children. The research consists of interviews with a composer, a director and analyzes of three plays for children played in Regionteatern Blekinge-Kronoberg. The music in the plays will be compared to recent theories about music in storytelling. The music in the plays is used in different ways but often to explain things that are not told with words, for example feelings and description of characters. The way music is used is closely linked to how the director and composer think about music. An example is their central idea of music as a power that reaches directly to the audience. It is also important to keep in mind that it is adults that create theatre for children which means that the music and stories are always filtered by adult’s eyes and ears.
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