Thesis--Catholic University of America, 1933. / At head of title: The Catholic university of America. Includes bibliographical references (p. 173-186) and index.

Thesis (PH. D.)--University of Chicago, 1919. / At head of title: The University of Chicago. Text made available in compliance with Section 108 of the Copyright Revision Act of 1976. Bibliography: p. 150-151. Online version of print reproduction.

Thesis (Ph.D.)--Syracuse University, 2006. / "Publication number: AAT 3364352."

Thesis (Ph. D.)--University of Chicago, 1919. / At head of title: The University of Chicago. Bibliography: p. 150-151.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1985. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 170-188).

Thesis (doctoral)--Rijksuniversiteit, Leiden, 1981. / Includes index; corrected index inserted. Bibliography: p. [167]-174.

Thesis (Ph. D.)--University of Notre Dame, 2005. / Thesis directed by Maura Nolan for the Department of English. "July 2005." Includes bibliographical references (leaves 344-368).

Thesis (Ph.D.)--Baylor University, 2006. / Includes bibliographical references (p. 341-348).

Space constitutes one of the main leitmotifs of Czeslaw Milosz's work, both theoretical and poetic. Central in this respect is the notion of imagination as a faculty organizing space, the faculty which, from the times of the Scientific Revolution, has been subject to erosion, especially as far as the religious imagination is concerned. The abolition of the anthropocentric, hierarchical vision of space, threw human beings into a state of alienation, conceptual nowhere. Religion was replaced by the dogmatism of scientific reductionism, the reality of Ulro. Milosz shows the way out of Ulro, the way out of nowhere to the somewhere. This thesis aims to illustrate the conceptual map of the way out of Ulro as portrayed in four selected volumes of poetry and the novel Dolina Issy, anchored in different points of Milosz's biography. The Land of Ulro, the collection of essays which encapsulate Milosz's ideas on space, constitutes a canopy work for the interpretation of the practical realization of those ideas in Milosz's poetic work. Trzy zimy (1936), Swiat, poema naiwne (1943), Miasto bez imienia (1969), and Druga przestrzen (2002) provide the material for the analysis of different aspects of Milosz's conception of space. Subject to analysis is the relationship between object and human subject as regards the formative, childhood experience of the space of the house (manor) and surrounding landscape, the act of building space on the basis of memory and retrospection in the context of distance and exile, and the workings of religious imagination in the context of the realm of second space. Through his conception of space, Milosz defends human existence in its completeness. He shows the way out of Ulro. This thesis aims to retrace Milosz's map out of the land of alienation on the basis of the poet's selected works.

For too long Sir David Lindsay of the Mount has been almost the exclusive concern of literary critics and ecclesiastical historians. This thesis aims to demonstrate that Lindsay and his works represent an invaluable source for a much broader study of Renaissance Scotland and that placing each in a proper historical and cultural context sheds an important light on some of the ideas and attitudes which shaped Scotland's political and religious culture during this crucial period. The thesis falls into three sections. The first offers a detailed examination of Lindsay's career, tracing his arrival at Court, his experiences during the minority of 1513-28 and his employment as a herald. Looking at the events of the 1530s, it argues that Lindsay's position is best seen both in the light of a developing humanist- influenced court culture and the emergence of religious controversy. It is suggested that, following the death of James V, Lindsay was much less closely associated with the Court and that this had important consequences for his political, religious and poetic development. Part Two stresses the hitherto little appreciated point that Lindsay was very much a political writer. Analysing his discussion of government, the section looks in particular at ideas of kingship and commonweal, assessing the extent to which Lindsay variously questioned or endorsed traditional attitudes and assumptions. This also involves a study of Lindsay's position as court-poet and those occasions of public spectacle with which he was involved. Completing the examination of Lindsay and his works, the thesis turns to questions of religion. Arguing that his work represents a more complex, often more ambiguous, but ultimately more satisfying, source than is generally appreciated. Part Three considers Lindsay's religious attitudes, examining what his poetry can tell us concerning the situation in Scotland on the eve of the Reformation.