By examining the donations by the local nobility to the local church, this thesis aims to study the church as a public room. By analyzing the donations of the nobility in relation to Habermas concept of the public sphere and the concept of conspicuous consumption the donations to the churches can be viewed as manifestations of power. This thesis studies all donations to the churches that leaves material and visual remnants in the church room. The results shows that there was a conscious strategy for the nobility to use the church for manifestation and representation of power. The nobility used their donations to manifest their power and to represent the power towards the people. This was done by filling the church with their names and coats of arms. By donating liturgical objects, church silver, chapels and coats of arms used for funerals the nobility was able to symbolically place themselves in the religious rituals. The church as a room was a symbolically and hierarchical place, and by connecting themselves with this room by donations the nobility could manifest their position in society, both locally and nationally.