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A Revelatory Landscape: Wind through the SensesMiller, Catherine Annalisa 23 November 2005 (has links)
Technology has been an ever evolving component of society and civilization, making our life easier but simultaneously creating problems. Now we have become the tools for our tools. It is the reaction to this technology that has led our society to become more and more mechanized and engineered, detaching us from the natural processes and the natural phenomena that make up our interesting world. However, because of the landscape's potential for communication and demonstration, it is a critical time for landscape architects to use the landscape, highlighting the interaction between the human and natural processes and create a heightened sense of ecological awareness. This thesis design explores how technology can be integrated into the landscape in order to reveal the natural phenomena of wind on the site. The revelation of wind is achieved through the engagement of the airplanes landing and taking off from Reagan National Airport and one's senses as one can hear wind, see wind, feel wind, smell and taste wind. The sensory experience is one that focuses on the overlapping of the senses in a type of synthesia, creating a rich and dynamic fabric for exploration, interpretation and understanding of wind, its movement and its unique cycles. / Master of Landscape Architecture
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Re-presenting the Waterfront: revealing the intersection of human and natural processesGeronilla, Kristina 15 December 2004 (has links)
Water and waterfronts are appealing to almost any person, as a visitor or designer. This study challenges the author's design processes and understanding of the landscape as the sculpted meeting ground, intersecting human and natural physical processes. It progresses from assumptions through collaborated ideas of others in a literature review through case studies of various waterfront situations and finally to the design project of the Jones Point waterfront in Alexandria, Virginia. Here the intermingled aspects from cultural activities over time and local, physical movement of land by water are assessed to be revealed and enhanced for the visitor's benefit, use, and connection with place. For it is the author's belief that the landscape and space can be sculpted, experienced, and imagined for the purpose of connecting us to a larger framework of living systems on this planet and beyond. The design extends the city to the waterfront and vice versa with an understanding of both physical processes and cultural choices to the point of being unable to distinguish action from reaction. / Master of Landscape Architecture
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