The project developed under the engineering studies, solves the problem of production of a prototype car using modern technology, reverse engineering and CAD / CAM. Based on the literary study of the issue, was designed process of digitization of the physical model of car, including the treatment and processing of data. Follow-up step was to verify the production of the additive rapid prototyping technology - FDM method. Verification of the results was performed on a vertical milling cantilever FV 25 CNC with control system Heidenhain iTNC 530 using a cutting strategies by PowerMILL CAM software. At the end of the resulting models edit as necessary.

There is a description of modernisation steam condensing turbine in this Master´s thesis. Electric output is decreased from 250 MW to 160 MW. This thesis is divided into two parts, there is a calculation of heat balance in first part and a calculation of blading in second part. Detail drawing and heat balance are the most important results of this Master´s thesis.

The master’s thesis is focused on flow analysis work filling in turbocharged CNG engine. The research method is reverse engineering. The intake canal is casted and than scanned by 3D Scanner ATOS. The CAD model is created in program Creo Parametric 2.0. In the created interactive model is simulated flow in the CFD program Star CCM +. The air intake system is modified for increasing the charging efficiency of the engine.

This master's thesis describes the analysis, design and implementation of an application for automatic generation of UML class diagram. Application is designed as a web service, which provides remote access, especially permanent actuality of generated class diagram. Input of the service is a compiled application written for C# .NET or Java platform. The reader is acquainted with basics of reverse engineering of mentioned platforms and with structure of UML class diagram. Then are these knowledge applied in design and implementation of the service. The main goal is to facilitate and accelerate the activities of software development team members.

I will present the issue of passportization in my work. I will analyze the current status of the BUT buildings. I will describe possible solutions of passportization at the BUT in the future. I will focus on the analysis of the "obr" format through the method of reverse engineering. I will do the analysis of the acquired data. I will describe the way of saving of the passportization information. I will design a graphic browser and a passportization editor.

As a part of the Lissom project, a retargetable decompiler is being developed. Its main purpose is to decompile programs for a particular microprocessor architecture into a high-level programming language. In present, methods of dynamic code analysis are not used during decompilation. However, we can significantly improve the decompilation results by using these methods. Design of dynamic-analysis methods is the main task of this thesis. In this thesis, reverse engineering and Lissom decompiler are described. Furthermore, general dynamic analysis methods, such as instrumentation and emulation, are described. The information we can obtain by using dynamic analysis and its usage during decompilation is proposed.

This master's thesis describes the design and implementation of optimizations in the middle-end part of a retargetable decompiler developed by AVG Technologies. The purpose of these optimizations is to improve readability of the produced source code and improve existing optimizations in the back-end part. In the introduction, basic information about reverse engineering and decompilation is provided. Then, a description of state of the retargetable decompiler before this work is given. After that, the main part of this work is presented, which describes the design and implementation of the proposed optimizations. Then, the techniques that were used for testing are described. This description is followed by a summary of the achieved results. The present work is concluded by a discussion of possible future development.

Durch die neue Schweißfunktionalität in Creo 4, welche es ermöglicht Schweißnähte als Volumengeometrie zu modellieren, entstehen viele neue Möglichkeiten zur Berechnung der Spannungen innerhalb der Schweißnähte. Damit einhergehend entstehen neue Möglichkeiten zur Berechnung und Evaluierung dieser Schweißnähte nach den Richtlinien der FKM. Die Berechnung anhand der FKM-Richtlinien soll hierbei anhand der zwei Simulationstools Creo Simulate und Ansys Simulation dargestellt werden.

Recent scholarship around the topic of 3D mainly deals with the visual developments that have occurred in the medium during the 21st century. A common perception in these strands of research is that in comparison to the production workflows employed in the analogue era, the 3D compositions that are being crafted through the aid of the ever-evolving digital technology have made 3D develop for the better. Yet a question that nevertheless remains is how the technology itself employed to craft these compositions has evolved. Rather than focusing on the visual developments, the primary aim of this thesis is to render visible the processes and operations of the stereoscopic technology employed to realise this 3D imagery in the first place. Utilising a media archaeological approach indebted to Wolfgang Ernst’s notion of “reverse engineering” technical media objects, I intend to analyse the primary technical components of digital and analogue 3D recording, projection and viewing devices utilised in the production of stereoscopic motion pictures. Moreover, Jonathan Crary’s writings on “the observer” will be used to highlight the important role of the human subject in relation to these binocular media technologies. I conclude that despite the varying production contexts and traditions the digital and analogue formats have been developed in, the primary methods and techniques that characterise digital 3D recording, projection and viewing systems are not specifications simply invented from scratch during the digital age. Through close scrutiny of the stereoscopic systems’ configurations with the aid of Ernst’s media archaeological approach, we are able to trace these supposed developments of the digital age back to the 19th century, when 3D was first realised.

No description available.