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Výchova k hlasu:Synergie přístupů / Voice work: Synergy of approachesRaisová, Michaela January 2015 (has links)
This thesis presents a translation of selected texts and excersises concerning voice work shaped by Patsy Rodenburg. Rodenburg is a reknown voice coach and lecturer. The author of this thesis compares Rodenburg's approach, which she got acquainted with during her four-month stay at Regent's University in London in 2013, with an approach taught at the Department of Authorial Creativity and Pedagogy at the Academy of Performing Arts in Prague. This thesis is an attempt to combine different approaches to voice work into a holistic methodology, as the author describes her own experience in this field - both as a student and a lecturer.
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Sing Together! Choral Singing as a Supplementary Training Method for ActorsDennis, Daniel C. 01 January 2008 (has links)
Voice and speech training for the actor has traditionally defined itself as distinct from the vocal training of the musical theatre or opera singer. The separation in philosophy and practice by trainers of actors and singers reflects the resultant capabilities and proclivities of our performers. Those performers generally sing or act, and if asked, will sometimes do both, but may damage their voices in the process. This study aims to explore and reveal how actors may develop a greater sense of courage and trust, have easy access to breath, find freedom in their bodies and voices, become better listeners and therefore more engaging actors, uncover untold depths of characterization, unearth resonance that communicates easily, and discover the music of rhythm and melody in their spoken voices, all through the use of ensemble singing in the actor's voice and speech classroom.
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