Thesis (M.A.)--University of Wisconsin--Madison, 1983. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 385-399).

This dissertation explores contemporary lives and dynamics of the abandoned synagogues in provincial Poland. In the foreground of this study are several prewar synagogue buildings that have not been restored and adapted by the country’s heritage and tourist industries, as my central argument revolves around the special affordances and qualities that these structures preserve and sustain in their abandoned forms and becomings. The deserted synagogue in Polish towns and villages exists as an extraordinary kind of ruin, being simultaneously connected to a pre-modern past, architecture, and tradition, and the modern history of dereliction and decay. As it finds itself in this peculiar in-between zone, the abandoned synagogue of Poland has a rare ability to invoke the perception and framing of both the pre- (classical) and postindustrial (modern) ruin. I underscore the material fluidity and aesthetic dimension of these structures, by zooming in on their posthuman life and vigorous unfolding of strange new spaces, things, meanings, and sensations. The aesthetics of the abandoned synagogues are dynamic and interactive, being inextricably attached to how we encounter and sense their reality and materiality. This thesis highlights the mercurial and affective aesthetic experience of Poland’s deserted synagogues that is being formed and transformed during these immediate encounters with material spaces and things. I suggest that a re-enchantment of the synagogue takes place in the ruin, wherein non-human actors and activities (e.g. plants, animals, the weather) continually generate the wonderment, strangeness, and sacrality of these places. Hence, the abandoned synagogue is here approached and perceived as a form that I call the ruin temple: a space whose deeply flowing past and dynamism of decay and life, create a present that allures and enchants, affording a solitary, mystical, and sensuous immersion in its profound sphere of awe and wonder.

TITLE: Ruined sacred buildings of royal town Znojmo and the nearest surroundings AUTHOR: Bc. Jan Kočí DEPARTMENT: The History and History Didactics Department SUPERVISOR: Mgr. Dušan Foltýn ABSTRACT: The content of my thesis is a summary of all so far discovered sacral buildings in the territory of the royal town Znojmo, that have not been preserved, but that were destroyed or rebuilt. Gradually there are described defunct the Great Moravian buildings, the medieval and the modern buildings. A special part is the chapter of defunct sacral buildings of the cemetery. Defunct sacral buildings in Znojmo were studied from the perspective of historical, architectural and from the viewpoint of current status and utilization. Personal contribution to this work is a restoration viewpoint and pointing out options to improve the situation. To study were used the primary sources from the archival collections in Znojmo, Czech and German regional literature, files of contemporary periodicals, postcard of the secondary modern literature. The possibility of consultations with local historians and a personal visitation of all described sites for creating custom preview and photos were used as well. This thesis is not the first register of defunct sacral buildings in Znojmo, however is the first complete register, which is...

Thesis (Ph. D.)--University of Texas at Austin, 2006. / Vita. Includes bibliographical references.

The Gaza Strip may be the world’s most relentless conflict zone. After decades of destruction and resistance, it is hard to imagine a different reality. But before the Gaza Strip, there was Gaza—a gateway city within an eponymous region with a much-neglected history. Stripped is an exploration of the Gaza borderland that aims to salvage Gaza’s past from the conceptual and historiographic shackles imposed by the current reality of the Gaza Strip, as well as to render imaginable a horizon for Gaza beyond this reality. The work is the first to methodologically depart from the common understanding of the Gaza Strip as purely a consequence of the 1948 war. Instead, Stripped situates Gaza within a century-long history of the Eastern Mediterranean’s integration into the global market economy, the Ottoman-British quest for imperial sovereignty over the Sinai-Palestine-Hijaz desert corridor, and the Palestinian struggle to overcome the urban and environmental destruction of World War I in the face of British and Zionist colonialism. Relying on little-studied sources in Arabic, Ottoman Turkish, Hebrew, English, and French, the dissertation explores how the Gaza region adapted to Ottoman agrarian reforms and gravitated into British economic orbit in the Mediterranean. As a result of these processes, Gaza of the late nineteenth century reoriented its economy from land to sea and turned to fully rely on exporting its locally cultivated barley to the British beer-brewing industry overseas. While generating promising growth for some two decades, global demand for grains diversified widely in the early twentieth century, leading to an abrupt collapse of Gaza’s new financial base. Concurrently, the very trade Gaza relied upon sliced this historic borderland into separate zones of imperial domination, turning it into a frontier between the Ottomans and the British. Gaza thus became one of the Middle East’s most devastating battlefronts during the First World War. When Palestine was made a formal political unit under the British Mandate, Gaza was both financially and physically in ruins, forced into a slower, more convoluted historical trajectory than other parts of the country. Ruins and their meanings, therefore, are central to the dissertation’s inquiry, as they turned in the interwar period into a contested ground in the struggle for Gaza’s recovery. Dwelling among the physical debris of their former city, Gazans had to marshal waqf regulations and Ottoman land legislation to restore their urban and agricultural environments against British antiquities preservation and land development schemes. Navigating often contradictory reconstruction initiatives, the people of Gaza toiled to carve themselves a space within the emerging Palestinian national collective as well. However, after a century-long “stripping” of its previous economic, social, and political centrality, Gaza could only remain peripheral to the political upheavals of the Mandate period and finally even remote from the battlefields of the 1948 war. It thus almost naturally emerged as a safe temporary shelter for wartime Palestinian refugees, around which the Israeli and Egyptian armies demarcated the Gaza Strip.

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Presented thesis deals with the popularization of monuments of regional character and its potential use in the educational system in the form of worksheets for primary education sector. Specifically the castle ruins Pořešín in South Bohemia which in recent years was expensively conserved. The theoretical part covers a brief history of the aforementioned cultural monument, but also the issue of the worksheet as a form of teaching aid. The practical part describes the design and implementation proces of worksheets of Castle Pořešín including the partial verification of their functionality in practice and evaluation of completed lessons. The work finished product sheets inspired workbooks made available by the Centre for the presentation of cultural heritage.

This dissertation on “Climate Change, the Ruined Island, and British Metamodernism” proceeds from the premise that a perspectival shift occurred in the early 2000s that altered the tenor of British climate fiction published in the decade that followed. The release of a third Assessment Report by the Intergovernmental Panel on Climate Change (IPCC), less than a month after the 9/11 terrorist attacks, prompted an acute awareness of the present as a post-apocalyptic condition bracketed by catastrophe and extinction. In response, British authors experimented with double-mapping techniques designed to concretize the supranational scope of advanced climate change. An increasing number of British authors projected the historical ruination of remote island communities onto speculative topographies extrapolated from IPCC Assessments to compel contemporary readers to conceive of a climate-changed planet aslant. Given the spate of ruined-island- as-future-Earth novels published at the turn of the millennium, this dissertation intervenes in extant criticism by identifying David Mitchell’s Cloud Atlas (2004), Will Self’s The Book of Dave (2006), and Jeanette Winterson’s The Stone Gods (2007) as noteworthy examples of a metamodernist subgenre that makes a distant future of a “futureless” past to position the reader in a state of imagined obsolescence. This project consequently draws on metamodernist theory as a useful heuristic for articulating the traits that distinguish metamodernist cli-fi from precursory texts, with the aim to connect British post-apocalyptic fiction, climate-fiction, and literary metamodernism in productive ways. As the body chapters of this dissertation demonstrate, metamodernist cli-fi primarily uses the double-mapped island to structurally discredit the present as singular in cataclysmic consequence and, therefore, deserving of an unprecedented technological fix. Ultimately, in attempting to refute the moment of completion that would mark history’s end, metamodernist cli-fi challenges the givenness of an anticipated future through which to anchor the advent of an irreversible tipping point. Given the relative dearth of literary scholarship devoted to metamodernist cli-fi, this project posits that this subgenre warrants greater critical attention because it offers potent means for short-circuiting the type of cynical optimism that insists on envisioning human survival in terms of divine, authoritarian, or techno-escapist interventions. / Graduate / 2021-08-08