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Den heliga kungen och den saliga änkan is a comparative study of the saint legend of Erik and the saint legend of Elin as they are represented each saint’s officium. The base for these comparisons is the question of what general similarities, and differences, there are as well as an immerse investigation of how these legends portray halidom and finally how the issue of femininity and manliness are portrayed through these two legends. During the thesis apparent similarities appear in how the legends are structured; a template seems to have existed in which the content of what a legend should include is stated. Erik, as well as Elin, are of noble birth and are portrayed as godly people who live bountiful and ascetic lives. They also share other common features; both Erik and Elin proceed on a mission before they encounter the enemy which ultimately leads to their martyr deaths. After their deaths various miracles takes place. Several references to the bible occur within both legends with the intention to authorize and emphasize moral virtues. One of the variations between the legends is in the way the saints die. Whereas Erik dies during battle, sword in hand, which is not a completely characteristic way to die the martyr death, Elin instead confronts her destiny with complete stoic composure. In terms on halidom, both saints are defined within the frame of a rex justus, a rightful king, as well as a vidua sancta, a holy widow who prays for her enemies before death. In the comparison between femininity and manliness typical patterns appear in which Erik is described as an energetic man, yet humble before God, whereas Elin is portrayed as fair and vestal, abstemious and virtuous, wise and unpresuming.

My work on the thealogy of Mary conveys a largely subjective way of thinking, it does not claim to present the view of any group, and it does not profess a theoretical agenda for a cult or a religious movement of Mary. The framework of this work is grounded in symbolic (legends, fairy tales and images), psychological (the structure of the psyche according to Carl Gustav Jung: the Self, the conscious, the unconscious, the Shadow) and imaginative (individual interpretations of narratives and images) spheres that are combined with feminist spirituality theories, religious philosophy and literary analysis. In my thesis, I offer a non-Christian myth of Mary which I form out of the folklore narratives about Mary. In my work, Mary is understood as the female divine archetype on the collective level, and as an expression of the Self on the individual level. Following Jung’s theory, the archetypes are forms and not contents, that is, an archetype can be comparable to an empty shell, which we fill with our own experience or with narratives that are meaningful to us. I take the image of Mary out of the Roman Catholic context and give it a new mythological narrative. This means to me a possibility not only to acquire a non-Christian myth of Mary but also to develop an individual relationship with the divine in its female personification. On the collective level, the thealogy of Mary creates a spiritual and psychological sphere in which the female divine has a possibility to outweigh the one-sidedness of the past few thousand years of the male predominance in the religious philosophy in the West.