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Typologie und Chronologie der jüngeretruskischen Steinsarkophage /Goethert, Klaus-Peter. January 1974 (has links)
Thesis (Ph. D.)--Rheinischen Friedrich-Wilhelms-Universität, 1974. / Double pages photocopied on each sheet.
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De sarcophagis ClazomeniisJoubin, André, January 1901 (has links)
Thèse--Paris. / Includes bibliographical references.
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Die archaischen etruskischen Terracottasarkophage aus Caere Abhandlung zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Universität LeipzigSauer, Hertha, January 1930 (has links)
Inaug.-Diss.--Leipzig. / Lebenslauf.
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De sarcophagis ClazomeniisJoubin, André, January 1901 (has links)
Thèse--Paris. / Includes bibliographical references.
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Kopf und Maske; Untersuchungen zu den Akroteren an Sarkophagdeckeln.Brennecke, Traute, January 1900 (has links)
Inaug.-Diss. - Freie Universität, Berlin. / "Die Abbildungen sind in Form von Mikrofilmen bei der Bibliothek der Freien Universität Berlin hinterlegt." Includes bibliographical references.
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Der Lykische Sarkophag aus Sidon /Schmidt-Dounas, Barbara. January 1900 (has links)
Diss. : archéol. : Frankfurt am Main : 1982. / Version commerciale de.
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Evidence of hysteresis in the neuromuscular system of 3rd instar Sarcophaga bullata /Paterson, Bethany A. January 2008 (has links) (PDF)
Undergraduate honors paper--Mount Holyoke College, 2008. Dept of Biological Sciences. / Includes bibliographical references (leaves 42-45).
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Roman Battle Sarcophagi: An Analysis of Composition as a Reflection of Changing Imperial Styles and ProductionBeal, Sarah E. 20 October 2016 (has links)
No description available.
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A Study of Hunting Scenes and Virtus in Roman Art, Third to Sixth Centuries A.D.Halili, Jonah January 2021 (has links)
In Rome, the activity of hunting was a pastime traditionally associated with the emperor and aristocracy. As such, hunting imagery in Roman art became symbolic of masculinity and power, expressions of which were important for the self-representation of status-conscious citizens. More specifically, virtus, often translated as “manliness” or “courage,” is the principal quality that is expressed through hunting scenes, although other ideas such as wealth and erudition were alluded to in these scenes as well. This thesis examines hunting scenes in the media of sarcophagi, mosaics, and silverware from the third to the sixth centuries AD. It focusses on the kinds of hunting imagery found on different media in order to discern the values that were important to patrons in the later Roman period, and the ways in which these values were expressed in the visual arts. In the funerary context, mythological hunting scenes on sarcophagi most often present the deceased as a man of virtus. However, owing to the Entmythologisierung of Roman sarcophagi during the third century, the ways in which virtus was expressed through these scenes underwent significant change during this period. On domestic floor mosaics, virtus was also a principal virtue that was expressed, but other ideas such as wealth and generosity were also displayed on hunting scenes in this medium, both mythological and non-mythological. Moreover, hunting scenes on silverware often highlight the wealth of the vessel’s owner. Additionally, allusions to a patron’s paideia, his formal educational background in Greek and Latin literature, as well as expressions of one’s Christian faith, also served as claims of membership in exclusive groups. / Thesis / Master of Arts (MA)
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An archaeology of memory : the 'reinvention' of Roman sarcophagi in Provence during the Middle AgesWyche, Rose-Marie January 2013 (has links)
This thesis is an exercise in the archaeology of memory. It investigates the reuse and ‘reinvention’ of late antique sarcophagi during the Middle Ages in the southern part of Gaul, with a particular emphasis on their reinvention for saints. The region of Provence has a large number of sarcophagi reused for the burial of saints (at least 20), including many of its most important holy figures such as Mary Magdalene, Cassian and Honorat. I shall analyse three groups of sites: the Alyscamps in Arles, Saint-Maximin and Tarascon (the sites connected with Mary Magdalene and her companions) and the monastery of Saint Victor in Marseille. In each case, the sarcophagi became part of an invented narrative created around the imagined antiquity of the site. These narratives varied significantly: some were monastic, others episcopal or biblical, still others heroic: but all were created around antique sarcophagi. Antiquities thus became monumental realms of memory for individuals and events that were thought to have been of significant historical importance in Provence. They formed part of the popular history and collective identity of the region. I will show that their association with saints changed the very function of these objects, as many were no longer seen simply as tombs but also as relics in their own right. I use a variety of sources to help reconstruct this imagined history, particularly saints’ vitae that often provide information about cults, particularly regarding the location of sarcophagi and sometimes even details of miracles that they produced, but also medieval chartae, sermons, and pilgrims’ descriptions of sites and rituals. The results of this study show that sarcophagi were of major importance in the religious history of Provence during the Middle Ages, as they became "proof" of the antiquity of local cults and of the histories based on these legends that the region created for itself. My work contributes to our knowledge of medieval Provence and the history of its collections of sarcophagi.
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