- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
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The piano music of Erik Satie and his influence on later composers /Storer, Stuart. January 1987 (has links) (PDF)
Thesis (M. Mus.)--University of Adelaide, Elder Conservatorium of Music, 1987. / Includes bibliographical references (leaves 99-100).
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Aspects of harmonic structure in piano works of Erik SatieKoon, Margery A., January 1974 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 115-118).
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The uses and aesthetics of musical borrowing in Erik Satie's humoristic piano suites, 1913-1917Hare, Belva Jean, January 1900 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2005. / Vita. Includes bibliographical references.
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Cabaret--from entertainment to art form focusing on the evolution of the cabaret song in the hands of Satie and Schoenberg /Dickson, Adrienne C. January 2009 (has links)
Thesis (D.M.A.)--University of Nebraska-Lincoln, 2009. / Title from title screen (site viewed October 13, 2009). PDF text: vii, 100 p. : ill., music ; 19 Mb. UMI publication number: AAT 3355615. Includes bibliographical references. Also available in microfilm and microfiche formats.
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Les divertissements parisiens et leur influence sur les compositeurs Satie et le groupe des six /Gouspy, Carol. Penesco, Anne. January 2002 (has links)
Reproduction de : Thèse de doctorat : Musicologie : Lyon 2 : 2002. / Thèse : 2002LYO20004. Titre provenant de l'écran-titre. Bibliogr.
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The uses and aesthetics of musical borrowing in Erik Satie's humoristic piano suites, 1913-1917Hare, Belva Jean 28 August 2008 (has links)
Not available / text
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Against Expression?: Avant-garde Aesthetics in Satie's "Parade"Pitkin, Carissa 04 November 2020 (has links)
No description available.
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Parade : les influences cubistes sur la composition musicale d'Erik SatieHarbec, Jacinthe, 1955- January 1987 (has links)
No description available.
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Parade : les influences cubistes sur la composition musicale d'Erik SatieHarbec, Jacinthe, 1955- January 1987 (has links)
No description available.
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The Emergence of the Subconscious in Erik Satie's "Parade": The Search for Surrealism in SoundRajatanavin, Tanaporn 08 1900 (has links)
This thesis investigates possible connections between the music of Erik Satie (1866-1925) and the later surrealist movement, turning to Parade (1917) in a case study that seeks to understand surrealism in music through the idea of self-exploration, a well-established interpretive approach in studies of surrealism in the visual arts. This thesis seeks to redefine surrealism in music not as a set of concrete musical characteristics, but as a collection of techniques meant to evoke subconscious turbulence by blurring the boundary between the "outside" and "inside," between conscious and subconscious, leading to a new discovery of higher or deeper truth. Satie's music aligns with the psychoanalytic elements of the discourse on surrealism. Psychoanalysis, pioneered by Sigmund Freud (1856-1939) and his followers in the 1890s in Vienna, permeated France around the time of the creation of the work. It inspired early surrealist techniques like automatism, illusory formal structures, collage, and stylistic allusion. This thesis demonstrates that such techniques can be discerned throughout Parade, not only in Satie's music, but also in its scenario, staging, costumes, and choreography. As such, Parade was a foundational work for the surrealist movement, with Satie's music contributing with the other media equally to the emotional and psychological impact of the ballet.
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