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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
201

Emerging Light: for wind ensemble

Maloy, Kristopher 28 August 2008 (has links)
Not available / text
202

Emerging Light : for wind ensemble

Maloy, Kristopher 09 August 2011 (has links)
Not available / text
203

3x5 for concert band ; an analysis of the numerical bases of rhythm, gesture, melody and form

Askim, Peter Andrew, 1971- 10 August 2011 (has links)
Not available / text
204

Horizon : for wind ensemble : creating narrative in post-serial tonality

Harchanko, Joseph, 1971- 18 August 2011 (has links)
Not available / text
205

Polish ragtime

Hawk, Kenneth G., 1926- January 1969 (has links)
No description available.
206

Around the clock; suite for piano and orchestra

Buchhauser, Andrew William, 1910- January 1938 (has links)
No description available.
207

Andante and allegro, by J Barat; trombone solo with band accompaniment, arranged by Raymond H. Kelton

Barat, J. Ed. (Joseph Edouard), 1882- January 1942 (has links)
No description available.
208

Chorale-preludes no. 43, 15, 7, arrangements for band

Rein, Jack Carlo, 1931-, Bach, Johann Sebastian, 1685-1750. January 1967 (has links)
No description available.
209

Compositions

Muyco, Maria Christine 05 1900 (has links)
The succeeding pages contain scores of my music—Passage to Kublb, Dalamhati ni Osang, Pintig, and Talibun-ag. "Passage to kublb" , for large orchestra, is a travelogue. Using a certain number of intervals, the instruments go through a journey, signifying life's constant changes and ceaseless motion. Melodic and rhythmic motives are used, fragmentation, and variation of timbral colors. "Kublb" is a fictional place; in essence, a destination of one's life journey. "Dalamhati ni Osang" (Lament of Osang) for a soprano, bass clarinet and marimba, is a composition revolving around a hextatonic scale which goes through a process of change as the music progresses. The text, written in the Filipino language, conveys the lament of a woman wanting to escape from her sorrows as she pleads her beloved to "lull" her; thus the repeated phrase "iduyan mo, o hirang" which means lull me or cradle me, my beloved. The woman's concept of "sleep" is an end-goal from which she frees herself of bitter memories of the past. The nuances of the vocal lines point to some native materials common to the Filipino "kundiman"(ballad). Use of expressive lines in legato phrasing, repeated sections (ABA form), and in some instances, use of embellishments like the repeated grace notes. The hextatonic scale is the composer's own material injected to some pre-formed structure already existing as in the mentioned ballad. "Pintig" (Pulses of Mother Earth) which was originally written for the "Elektra Women's Choir" during a pre-Christmas choral reading is a study of tribal vocables and different vocal effects. Stomping of foot, tapping, and other ritual sounds are employed to concoct an amalgam of primitive or earthy vista. (Note that the recording provided with this thesis is simply a reading session of the piece). "Talibun-ag " is a coined title from the Filipino words "tali" and "bun-ag" (bondage and birth) which if combined literally can mean "birth of freedom". This is a music drama for a chamber ensemble (piano, alto flute and percussions), a mono-dramatist and a choral quartet.
210

Concerto for violin (with contact microphone) and orchestra by William Edward Miller. / Concertos,

Miller, William Edward. January 1976 (has links)
No description available.

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