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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Mehrstimmigkeit in J.S. Bachs Werken für Melodieinstrumente ohne Begleitung /

Fanselau, Clemens. January 2000 (has links)
Diss.--Berlin, 2000--Humboldt-Universität. / Bibliogr. p. 389-418. Index.
12

"...ich bin sicher, dass ich ihn lieben lerne..." : Studien zur Bach-Rezeption in Russland /

Zwetzschke, Jana. January 2008 (has links)
Texte remanié de: Dissertation--Fachbereich 2--Essen--Folkwang Hochschule, 2007. / Bibliogr. p. [369]-410.
13

Die "Stultifera navis" Jakob Lochers Übertragung von Sebastian Brants "Narrenschiff /

Hartl, Nina. Locher, Jakob Brant, Sebastian January 2001 (has links)
Texte remanié de : Dissertation : Deutsche Philologie : Westfälische Wilhelms-Universität Münster : 1999. / Textes en allemand et en latin. Bibliogr. p. 268-292 du vol. 1. Index.
14

Performance practice and analysis of Johann Sabastian Bach's Aria for tenor and flute obbligato, Wo wird in diesem Jammertale, from Cantata BWV 114

Salmen, Rebecca L. January 2009 (has links)
Thesis (M.M.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Mar. 08, 2010). Creative project (M.M.), 3 hrs. Includes bibliographical references (p. 21-22).
15

A comparison of selected editions of Bach's Suite no. 5 in C minor, BWV 1011

Green, Curtis A. January 2009 (has links)
Thesis (M.M.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Mar. 01, 2010). Creative project (M.M.), 3 hrs. Includes bibliographical references (p. 11).
16

The performance of small-note Vorschläge in the keyboard and chamber music of J.S. Bach

Cole, Warwick January 2001 (has links)
This study is concerned with conventions of notation and of performance in the music of Johann Sebastian Bach. The small-note Vorschlag represents one of the most puzzling and least understood aspects of western musical notation during the period under discussion. Although the issue has been examined extensively in the past. the lack of consensus among scholars and performers - coupled with Bach's copious use of the small-note Vorschlag - indicates that a reassessment is warranted. The aim is to arrive at an understanding of Bach's notation of the Vorschlag and its implications for informed performance of his music. Initially, the study places Bach's notation within the context of contemporary practice. An examination of the composer's awareness of French and German music reveals that both anticipatory and 'on-beat' resolutions of the ornament were current during Bach's professional life. A relationship between differing resolutions and notation is identified - 'schematic' notation - in the music of Dieupart, Walther, Telemann and Muffat where contrasted sigla are employed to indicate the metrical placement of the ornament. Additionally, Bach's custom of using the Vorschlag in both written-out and small-note forms is investigated. The core of the study is contained in a series of case-studies. Following a broadly chronological sequence, these case-studies examine in detail Bach's use of differing notational forms for the Vorschlag. Through the application of comparative analytical methods, the extent to which Bach's practice reflects that of his contemporaries is assessed, and how far the evidence permits judgement as to Bach's intended resolution of the ornament.The final chapter provides a synthesis of the findings of the study. In so far as they may be determined, the conventions of performance current in Bach's music are defined. From this, it emerges that there is a loose correlation between notation and metrical placement. The study concludes by considering the implications of how this observation impacts on an understanding of Bach's ornamental style, in particular his assimilation of new stylistic currents in the last two decades of his life.
17

Toward a methodology for the analysis of fugue An examination of selected Bach organ works /

Roberts, David Scott. Mathes, James, January 2004 (has links)
Dissertation (Ph.D.) -- Florida State University, 2004. / Advisor: James Mathes, Florida State University, School of Music. Title and description from dissertation home page (viewed 10-6-04). Document formatted into pages; contains 117 pages. Includes biographical sketch. Includes bibliographical references.
18

Die Freidankausgabe Sebastian Brants und ihre Folgedrucke Untersuchungen zum Medienwechsel einer spätmittelalterlichen Spruchsammlung an der Schwelle zur frühen Neuzeit /

Leupold, Barbara. Unknown Date (has links) (PDF)
Universiẗat, Diss., 2007--Marburg.
19

A study of the chromatic fantasy and fugue by Johann Sebastian Bach.

Kaashoek, Ruth. January 1951 (has links)
Thesis (M.M.)--University of Rochester, 1951. / Typewritten. Bibliography: l. 70-71. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/4477
20

Lebendige Historien und Erfahrungen Studien zu Sebastian Francks "Chronica Zeitbuoch vnnd Geschichtbibell" (1531/1536)

Dellsperger, Yvonne January 2006 (has links)
Zugl.: Bern, Univ., Diss., 2006

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