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The purpose of this study was to discover to what extent Ben Jonson revealed himself in his plays and to explain how this self-portrayal has been effected.

Online Self-portrayal has been attracting attention since the rise of social networks and their integration into everyday life. Social media have been said to support the idea of an “endlessly constructed self,” transporting culture and shaping people’s online experiences. Research often focused on the if and why when mostly college students portrayed themselves on social networks and in online communities. The aim of this study is to deepen the understanding of how a certain demographic of women uses Facebook and Instagram for self-portrayal and what it means to them. The focus is on interesting but seldom studied personalities: well-educated, urban women in their late 20’s up to their late 30’s that are well integrated into the labor market. A combination of netnographic study and semi-standardized interviews of Facebook and Instagram activities are conducted within the framework of Erwin Goffman’s "representation of the self in everyday life." Results show a high appreciation of Instagram in order to present a curated portrayal of one’s life and a communication through 'likes'. Interestingly, the women, although highly skilled, often successful and living in one of the most appreciated urban centers of the world, occasionally feel pressure and insecurity to live up to the expectations of their networks.