Baigiamasis bakalauro darbas yra apie lietuviškus televizijos serialus ir moters įvaizdį juose. Teorinėje darbo dalyje nagrinėjama televizijos serialų samprata, būdingi bruožai, jų tematika. Analizuojamas realybės ir iliuzijos santykis. Atliekama lietuviškų televizijos serialų apžvalga: aptariamos būdingos temos, kritika. Antroje teorijos dalyje aptariamas moters personažas lietuviškuose meniniuose filmuose, televijoje ir serialuose. Atskleidžiami būdingi moters personažo serialuose kūrimo metodai, bruožai. Kūrybinis projektas – hibridinio žanro videofilmas, kuriame jungiasi dokumentika, performansas ir instaliacija. Šio dokumentinio filmo kūrimo metodas – slapta kamera fiksuoti trijų moterų reakcija į kasdien rodomą tv serialą. Tas pats kambarys, šeima, trys moterų kartos: močiutė, mama ir aš. Trijų moterų gyvenimo fragmentai – čia, bute ir įsivaizduojamo gyvenimo projekcija TV ekrane: santykis tarp būties ir iliuzijos. / Bachelor thesis is about Lithuanian television series and women’s image in them. Theoretical work includes the analysis of Lithuanian television series conceptions, features and subjects. The ratio between reality and illusion is analyzed. Overview of the Lithuanian television series. Critics and popular subjects are discussed. The second theoretical work includes women’s character in Lithuanian artistic films, television series. The development of women’s character is revealed. Creative project – a hybrid video film, in which documentary, performance and installation is combined. The method of this documentary film is to secretly film the exposure of women to daily TV series. The same room and family, but different generations: grandmother, mother and me. The fragments of these people’s lives, is here and the projection of an imaginary life in a TV screen: the difference between the mood of life and illusion.

This thesis explores text-music relationships in Dallapiccola’s Goethe Lieder. Though the cycle is based on Goethe’s West-östlicher divan, it was Mann’s novel Joseph und seine Brüder that spurred its inception. This seven-song cycle revolves around Suleika, a character from the biblical love story of Joseph and Potiphar’s Wife. Dallapiccola set this text upon reading Mann’s novel, which stems from the same story; however, Mann portrayed the character of Suleika as a sympathetic lover rather than the traditional evil seductress. By conducting a thorough pitch structure analysis of each song, focusing in particular on motives, symmetry and aggregates, this thesis examines text-music relationships to demonstrate how Mann’s Suleika is musically represented. This thesis illustrates that Dallapiccola’s setting is a musical composite of both Goethe and Mann’s Suleikas and thus sheds new analytical and hermeneutic light on an important work by one of the twentieth-century’s most prominent serial composers.

In a visual search experiment, the subject must find a target item hidden in a display of other items, and their performance is measured by their reaction time (RT). Here I look at how visual search reaction times are correlated with past reaction times. Target-absent RTs (i.e. RTs to displays that have no target) are strongly correlated with past target-absent RTs and, treated as a time series, have a 1/f power spectrum. Target-present RTs, on the other hand, are effectively uncorrelated with past RTs. A model for visual search is presented which generates search RTs with this pattern of correlations and power spectra. In the model, search is conducted by matching search items up with ¿categorizers,¿ which take a certain time to categorize each item as target or distractor; the RT is the sum of categorization times. The categorizers are drawn at random from a pool of active categorizers. After each search, some of the categorizers in the active pool are replaced with categorizers drawn from a larger population of unused categorizers. The categorizers that are not replaced are responsible for the RT correlations and the 1/f power spectrum.

No description available.

Serial Analysis of Gene Expression (SAGE) on Caenorhabditis elegans RNA from FACS sorted embryonic body wall muscle cells has identified nearly 8000 genes expressed in nematode body wall muscle. Approximately 60% of these are genes are expressed at low levels (<5 tags/~50,000-100,000 tag library). Low-abundance transcripts have typically been overlooked since most are considered experimental or contamination errors. Consequently, research has been focused on transcripts that are most enriched in the particular tissue of interest. Here I focus on the analysis of low-expressed transcripts in the muscle SAGE libraries in order to investigate what percentage of these are in fact expressed in muscle and are not false positives. Most well characterized C. elegans body wall muscle genes are not expressed at low levels, therefore I anticipate that focusing on these rarely expressed genes will allow for the identification of muscle components that have been previously unrecognized. RT-PCR was performed on RNA isolated from purified body wall muscle cells to initially estimate what fraction of these low abundance transcripts present in the SAGE data are indeed expressed in muscle. I examined 128 genes, of which 84 were represented by a single SAGE tag. From this initial list, 38% of the low-expressed transcripts were verified for their presence in body wall muscle. Subsequently, reporter GFP fusions were used to deduce if these low-expressed transcripts are indeed expressed in vivo within muscle. Of the low-expressed genes that tested positive via RT-PCR, 42% showed in vivo expression in body wall muscle. When the results from the RT-PCR and in vivo expression experiments are combined, I can extrapolate that at least 16% of low-expressed genes identified by the SAGE libraries are in fact expressed in muscle and are not false positives. RNAi and knockout analysis were performed in order to investigate the role of low-expressed muscle genes in myofilament structure. RNAi results show that 14/34 (41%) of the genes screened had mild defects in myofilament organization. The SAGE libraries identified 6388 low-expressed transcripts, this work suggests that at least 16% (1022 genes) of these are in fact expressed in muscle and may reveal new components previously overlooked by other approaches.

This thesis explores the notion that we may be able to more fully understand the etiology of serial murder. Specifically, it concludes that the behaviours of serial murderers can be allegorical of unresolved childhood trauma - that in the murderous actions of the adult there can be a depth of subconscious allegorical connection to the repressed (forgotten) and unresolved trauma of the murderer's own childhood. The focus for this hermeneutic inquiry is the intersection that can be constructed between the phenomenon of serial murder and the assertion of the psychoanalyst Alice Miller that every perpetrator of violence was once a child who was (himself or herself) a victim. Alice Miller's concept of Poisonous Pedagogy is explained and critiqued. Her belief that our childhoods tell the stories of our adult behaviours is questioned in light of the similar theoretical ground of Life History, Life Narrative, Psychobiography, and Psychoanalytic Narrative. Miller's contention that there are directly allegorical connections between childhood abuse and adult murderous behaviours is illustrated by her analysis of the life of Jurgen Bartsch. A hermeneutic examination of the biographic records of two other serial murderers (Ted Bundy and John Wayne Gacy) is then undertaken to question the available support for Miller's contentions It is concluded that there is strong support for Miller's assertions regarding the etiology of violence, and that violent adult behaviour, even serial murder, can be allegorical of unresolved childhood trauma. It is suggested that there is a need to extend this area of research through face-to-face engagement with perpetrators of violence. It is recommended that we directly engage serial murderers in personal discourses that will allow further exploration of Miller's notion that serial murderers' behaviours are allegorical echoes of harm that was done to them.

The focus of this thesis is the examination of whiteness as a dominant identity and subject position. Whiteness has conventionally assumed a normative, monolithic status as the template of humanity. Recent theorising has attempted to specify and denaturalise whiteness. In order to participate in this fracturing of whiteness, I analyse examples in which it functions as a site of contested and ambiguous contradiction. To this end, I use contemporary monstrosity to examine whiteness. Monstrosity is a malleable and culturally specific category of difference that measures alterity, and by displaying discursive functions in an extreme form offers insight into the ways in which deviance and normativity operate. I argue that the conjunction of whiteness and monstrosity, through displaying whiteness in a negative register, depicts some of the discursive operations that enable whiteness to attain such hegemonic dominance. I deploy theories of marginalisation and subjectivation drawn from a variety of feminist, critical race, and philosophical perspectives in order to further an understanding of the discursive operations of hegemonic and normative subject positions. I offer a brief history and overview of both the history and prior conceptualisations of monstrosity and whiteness, and then focus on two particular examples of contemporary white monstrosity. I closely examine the representation of monstrosity in serial killer films. The figure of the serial killer is typically a white, heterosexual, middle class male whose monstrosity is implicitly reliant upon these elements. In my discussion of the recent phenomenon of fatal shootings at high schools in North America, I investigate the way the massacre at Columbine High School functions as the public face of the phenomenon and for the unique interest it generated in the mass media. I focus on a Time magazine cover that featured a photograph of the adolescent perpetrators under the heading The Monsters Next Door, which condensed and emblematised the tension that they generated. It is through the perpetrators uneasy occupation of dual subject positions???namely the unassuming all American boy and the contemporary face of evil???that their simultaneous representation as average and alien undermines the notion of whiteness as neutral and invisible.

Human memory systems have been divided into two broad domains, one responsible for 'declarative memory' and the other for 'non-declarative memory'. The evidence for multiple memory systems is reviewed with respect to the human SRT, a sensitive measure of non-declarative memory. A qualitative review of the human SRT literature concludes that damage to extrapyramidal brain systems disrupts SRT performance whereas limbic system neuropathology (LSN) leaves performance intact. However, a meta-analysis of the SRT literature with neuropathological patients revealed unexpectedly that patients with explicit memory disorders are impaired on the SRT task, although less severely than patients with extrapyramidal damage. Other evidence suggested that the apparent SRT impairment in humans with LSN might be due to the additional pathology (eg frontal) often evident in these patients. A brief review of the animal evidence for multiple memory systems concluded that, like humans, animals too have multiple memory systems but none of the animal tasks used to model non-declarative memory make good conceptual or behavioural contact with the corresponding human tasks. Thus a novel animal-analogue of the human-SRT task, the 'fan-maze', was developed. Although rats displayed a reasonable ability to perform the fan-maze SRT task it was abandoned due to technical and conceptual problems in favour of a better design. The second new SRT task used intra-cranial self-stimulation to promote prolonged, rapid and continuous responding. A control study determined that the optimal conditions for sequence learning was a single large (2820 trial) session. Intact rats that experienced a switch from the repeating to a random sequence under these conditions demonstrated a clear interference effect, the primary measure of SRT performance. A lesion study used these optimal conditions and showed that small caudate lesions impaired, whereas small hippocampal lesions facilitated, rat-SRT performance. Hence, this second task has proven to be a valid animal-analogue of the human SRT task, as rats performed it in a manner similar to that shown by humans and relied on the same neural substrate to perform the task as humans. In addition, this second task resolved the discrepancy of the LSN meta-analysis. Quantitative findings are reviewed in light of theories and studies presented earlier in the thesis. Limitations of the thesis are identified and suggestions are made as to future SRT research in animals or humans.

Thesis of (M.A.)--University of Alberta, 2009. / Title from pdf file main screen (viewed on August 31, 2009). "Fall, 2009." At head of title: University of Alberta. A thesis submitted to the Faculty of Graduates Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts, Department of Sociology, University of Alberta. Includes bibliographical references.

Thesis (MA (Psychology))--University of Pretoria, 2004. / Includes bibliography.