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Three cycles of 24 preludes and fugues by Russian composers D. Shostakovich, R. Shchedrin and S. Slonimsky /Seo, Yun-jin. January 2003 (has links)
Treatise (D.M.A.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references. Available also from UMI Company.
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Comparison and contrast of performance practice of the tuba in Igor Stravinsky's The rite of spring, Dmitri Shostakovich's Symphony no. 5 in D major, op. 47, and Sergei Prokofiev's Symphony no. 5 in B flat major, op. 100Couch, Roy L., January 2006 (has links)
Thesis (D.M.A.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 25, 2001, Nov. 18, 2002, Mar. 21, 2005, and Feb. 20, 2006. Includes bibliographical references (p. 44-48).
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Composing the modern subject: four string quartets by Dmitri ShostakovichReichardt, Sarah Jane 28 August 2008 (has links)
Not available / text
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Modernism, socialist realism, and identity in the early film music of Dmitry Shostakovich, 1929-1932 /Titus, Joan Marie. January 2006 (has links)
Thesis (Ph. D.)--Ohio State University, 2006. / Includes bibliographical references (leaves 449-470). Issued electronically.
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The trumpet; its use in selected works of Stravinsky, Hindemith, Shostakovich, and CoplandColeman, Jack, January 1965 (has links)
Thesis (D.M.A.)--University of Southern California. / Includes bibliographical references.
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Modernism, socialist realism, and identity in the early film music of Dmitry Shostakovich, 1929-1932Titus, Joan Marie. January 2006 (has links)
Thesis (Ph. D.)--Ohio State University, 2006. / Full text release at OhioLINK's ETD Center delayed at author's request
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Surviving the Soviet era : an analysis of works by Shostakovich, Schnittke, Denisov, and Ustvolskaya /Wettstein, Shannon L. January 1900 (has links)
Thesis (D.M.A.--Music)--University of California, San Diego, 2000. / Vita. Works analyzed: First piano concerto / Dmitri Shostakovich -- Quintet for piano and strings / Alfred Schnittke -- Drei Stücke / Edison Denisov -- Sonata no. 5 in ten movements / Galina Ustvolskaya. Duration of acc. tapes: 1:25:00. Includes bibliographical references (leaves 77-84).
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Looking through a Different Lens, Beyond Censorship: The American Reception of Lady Macbeth of the Mtsensk DistrictCassell, Holly 08 1900 (has links)
The censorship of Lady Macbeth of the Mtsensk District is a familiar story to musicologists, but reception of the opera is not frequently mentioned. Examining the reception of a work can bring a work's relative importance into focus. In this thesis, German literary and reception theorist Hans Robert Jauss's model of the horizon of expectations is applied to reviews of American productions of Lady Macbeth. Curiosity about communism following the Great Depression in 1930s, America and American music critics' knowledge that Soviet composers worked for the Soviet regime led to the belief that Lady Macbeth was officially approved export from the Soviet Union. When the article condemning the opera as a Western formalism appeared in the Soviet magazine, Pravda, Americans needed to adjust their understanding of Lady Macbeth as a socialist expression. Following the work's revival in San Francisco in 1981, the influence of Solomon Volkov's Testimony is prevalent in many reviews. Many reviewers use Volkov's narrative of Shostakovich as covert dissident of the Soviet Union to assert that the censorship of the opera was about the content of the plot and not the music. Following the Soviet rejection of the work, American critics tried to claim Shostakovich for the West based on the values of individual freedom and feminism set forth in Lady Macbeth.
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Three cycles of 24 preludes and fugues by Russian composers: D. Shostakovich, R. Shchedrin and S. SlonimskySeo, Yun-jin 28 August 2008 (has links)
Not available / text
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