1 |
Rewriting Shakespeare a study of Lin Shu's translation of tales from Shakespeare /Tsui, Kam, Jean, January 2008 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2009. / Includes bibliographical references (leaves 102-111) Also available in print.
|
2 |
Cui Dongbi yu yi gu shi xueGao, Ruisui. January 1900 (has links)
Thesis (M.A.)--Guo li Taiwan da xue. / Cover title. Reproduced from typescript. Includes bibliographical references (p. 146-152).
|
3 |
Hsien-yü Shu's calligraphy and his "Admonitions" scroll of 1299Fu, Marilyn Wong. January 1983 (has links)
Thesis (Ph. D.)--Princeton University, 1983. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (v. 2, leaves [358]-425).
|
4 |
Narrative as "Fusion of horizons" a reappraisal of Lin Shu's translations of the Dickens novels = Xu shi yu "shi ye rong he" : chong ping Lin yi Diegengsi xiao shuo /Wong, Chun-yin. January 2010 (has links)
Thesis (Ph. D.)--University of Hong Kong, 2010. / Includes bibliographical references (p. 290-296). Also available in print.
|
5 |
Cui Dongbi yu yi gu shi xueGao, Ruisui. January 1900 (has links)
Thesis (M.A.)--Guo li Taiwan da xue. / Cover title. Reproduced from typescript. Bibliography: p. 146-152.
|
6 |
A study of the translations of Lin Shu, 1852-1924Compton, Robert William. January 1971 (has links)
Thesis--Stanford University. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
|
7 |
A study of the translations of Lin Shu, 1852-1924Compton, Robert William. January 1971 (has links)
Thesis--Stanford University. / Includes bibliographical references. Also issued in print.
|
8 |
Hsien-yu Shu's calligraphy and his "Admonitions" scroll of 1299 (volumes I-III)Fu, Marilyn. January 1983 (has links)
Thesis (Ph. D.)--Princeton University, 1983. / Includes bibliographical references (v. 2, leaves [358]-425).
|
9 |
Recasting Lin Shu: A Cultural Approach to Literary TranslationGao, Wanlong, n/a January 2003 (has links)
This thesis is a re-evaluation of Lin Shu (1852-1924) and his literary translations. Lin Shu is one of Chinas most influential translators. He initiated modern literary translation in China, and his translations imported new ideas, literary concepts, styles and techniques from the West. These, in turn, influenced the emergence and development of modern Chinese literature. Nevertheless, Lin Shu and his translations have been belittled and even dismissed for various reasons over the years. The emergence and development of target/culture-oriented translation theories offer the possibility of re-assessing Lin Shu and his translations. The re-assessment of Lin Shu and his translations in this study is based on target/culture-oriented translation theories, which emerged in the 1970s. Target/culture-oriented translation theories focus on the mutual influence between a translation and its target culture, especially on the influence of a translation on the target culture and readers as a criterion for successful translation rather than examining whether the target text is faithful to the source text, as in the traditional linguistic approach. These target/culture-oriented theories can effectively explain the translational phenomenon of Lin Shu, as Lin Shu translated with the needs of the target culture and readers in mind. He attached great importance to the cultural function and influence of his translations during a period of historical transition in China. The criticisms of Lin Shu and his translations in China and elsewhere have largely been negative, often highlighting political issues - his endorsement of the constitutional Qing monarchy and his conservative attitude to the New Culture Movement - as well as his free translation method. Target/culture-oriented translation theories offer a framework for the re-assessment of Lin Shu and his translations that bypasses these narrow approaches. Adopting target/culture-oriented translation theories, this thesis examines Lin Shus translations in a trans-cultural context. Lin Shu based his translations on the needs for the Chinese culture and readers of that time, which was clearly embodied in his choice of, and response to, the originals works. The prefaces and postscripts that he wrote for his translations illustrate the new cultural and literary factors that Lin Shu introduced into China. In this respect, Lin Shus translation of La Dame aux Camelia is perhaps the most famous case study of his translation method. Through a comparative analysis of the Target Text (TT) and Source Text (ST), the thesis discusses the truthfulness of Lin Shus translation, and stresses that truthfulness lies in seeking poetic equivalence rather than formal equivalence between the target and source texts. We argue that poetic equivalence is similar to Nidas principle of correspondence, but is beyond his dynamic equivalence. It lays special stress on literary or aesthetic equivalence. Poetic equivalence in Lin Shus translations relates to the stylistic expression in Chinas literary language and is therefore intrinsic to sinicization. Lin Shus skill in classical Chinese is central to our notion of poetic equivalence. However, I argue that Lin Shus translation strategy is actually also beyond equivalence. It is primarily embodied in his constant adaptation of the original to the perceived needs of Chinese culture and the acceptability of his translations to Chinese readers. Adaptation includes omission, addition, alteration and abridgment. In terms of target/culture/reader-oriented translation theories, Lin Shus adaptations were acceptable in the cultural context of his time. In brief, this study clarifies Lin Shus contribution in introducing Western culture and literature into China. The study also stresses the cultural influence of Lins translations on modern Chinese culture and on later generation of Chinese writers and translators. This thesis concludes that Lin Shu played a role of utmost importance in the establishment and evolution of early-modern and modern Chinese translation, particularly of modern literary translation in China. Therefore, Lin Shu is the father of modern Chinese literary translation.
|
10 |
Female fabrications an examination of the public and private aspects of Nüshu /Lee, Ann-Gee. January 2008 (has links)
Thesis (Ph.D.)--Bowling Green State University, 2008. / Document formatted into pages; contains xiv, 199 p. : ill. (some col.) Includes bibliographical references.
|
Page generated in 0.0401 seconds