In this master thesis, creative process and the process of personal growth and their fusion are dealt with. The thesis is opened with associations and continued with thematic exploration up to reflections upon specific encounters and cooperation on theatre performances and other project that I have participated in as an actress. Through the unanswered questions posed in this thesis I constantly remind myself of the fact that acting is a process of constant searching, which, however, does not need to resemble blind stumbling through the unknown and in fact, in my opinion, it should not. In my work, I try to articulate what I have been able to uncover about myself and the creative process as an actress and so develop systematically in my profession, both through work on myself and within a group. I consider feedback to be a necessary step towards professionalism and an important contribution for shifting personal limits. This thesis is concluded with a reflection of my internship at the Portuguese Instituto Politécnico de Lisboa ? Escola Superior de Teatro e Cinema.

Limitation as a legal fact Legal institute of limitation has been a part of the legal system since the days of Roman law, yet it is not a legal relic, which in the modern concept of rights had their place. Limitation is a legal institute that is an integral part of modern legislation and whose meaning in law is a proven tradition of more than fifteen hundred years. The aim of this thesis is to give a comprehensive explanation about the institute of limitation in civil law. This thesis divided into five chapters approaches the status of limitation among other legal facts, subjecting it to a thorough analysis, gives the view on the concept of limitation de lege lata and its evolution in our country through historic civil law codification and compares its approach with adjustments in selected European countries. The first chapter discusses general information about legal facts which are divided by traditional keys and on the basis of this division and between them rest the institute of limitation. The second chapter defines the concept of limitation, refers to its meaning, analyzes its components, tests subjects objection of forfeiture accordance with good manners, calculates the rights that are subject to limitation and states that are contrary legislature declared inviolable. This chapter also...

This thesis deals with the subject of proving negatives, i. e. proving non-existence of an object, a status or a process. The author of the thesis provides the reader with the definition of a negative and with a list of negatives mentioned in the case law of Czech public authorities. Also, the author analyses selected case law of Czech courts and describes proving negatives in specific cases. The thesis is divided into six chapters. The first chapter provides the definition of a negative. In this chapter the author points out potential problems linked to the identification of a negative, especially to the difference between a fact, a negative statement and a legal assessment. The second one addresses the possibility of a negative becoming the subject of proving as a practical way of finding of facts. The chapter also brings a brief analysis of proving a negative abroad, specifically in Slovakia, the Great Britain and the United States of America. The third, the fourth and the fifth chapter deal with the subject of proving negatives in civil proceedings, administrative proceedings and criminal proceedings respectively. In each of these chapters the author summarises the principles of proving related to corresponding type of proceedings and demonstrates proving negatives on specific cases (regarding...

This diploma thesis called The Railway Station - The Introduction of the Theme of Urban Landscape Shaped by the Industrial Revolution in Czech Painting of 1930s and 1940s is divided into two parts, theoretical and practical. The theoretical part deals with the czech painting of the thirties and fourties mainly. The painting of this period reacts on the development of the cities after the industrial revolution and the change of the stands. The new situation was reflected by the artists originally. The theoretical part is focused on Group 42 and its members mainly. The artists and their pieces of work show the issues of the progress. Both parts, practical part mainly, put the emphasis on the phenomenon of the railway station. The railway station is connected with the development of the cities and it serves for the transport of people and goods. There is the outlining of the problem of artistically captured everyday reality of man living in the city in this thesis, there is the differentation of abstract and concrete imaging and its interconnection. The practical part contains photos, sketches and final painting. The railway station is depicted in the painting. The problem of reality and abstract and concrete imaging are expressed in the painting.

This diploma thesis called The Railway Station - Czech Post-war Painting Focused on Urban Landscape is divided into two parts, theoretical and practical. The theoretical part deals with czech post - war painting. Post war painting reacts on the development of the cities after the industrial revolution and the change of the stands. The new situation is reflected by the artists originally. The theoretical part is focused on Group 42 and its members mainly. The artists and their pieces of work show the problems of the progress. Both parts put the emphasis on the phenomenon of the railway station. The railway station is connected with the development of the cities and it serves for the transport of people and goods. There is the problem of the reality, abstract and concrete imaging in this thesis. The practical part contains photos, rough drawings and one painting. The railway station is depicted in the painting. The problem of reality and abstract and concrete imaging are expressed in the painting.

in English: In the first half of the book Theta of his Metaphysics, Aristotle discusses dunamis as a property of a being. In this sense, dunamis is primarily a principle of change in another thing or in the thing itself qua other, thereby exercising itself in its energeia. In the second half of the book, Aristotle discusses dunamis as a way of being. In this sense, a being is dunamei another thing and in the course of its becoming that thing it changes into being energeiai. The aim of the present thesis is to offer an interpretation of the concepts of dunamis and energeia as they appear in the chapters 1, 2, 6 and partly 7 of the book Theta. The first question is how the concepts of dunamis and energeia in both parts fit together. The problem is posed as follows: Are dunamis in the sense of a principle of change and dunamis as a way of being mutually dependent? Are energeia as change and being energeiai related? Are they not, in fact, two relatively independent philosophical concepts, relative to whether being is regarded from the point of view of physics, respectively metaphysics? Based on the interpretation of Aristotle's statements, the thesis aims to argue that Aristotle starts his exposition with the analysis of dunamis in the sense of a principle of change precisely in order to show the...

in English: In the first half of the book Theta of his Metaphysics, Aristotle discusses dunamis as a property of a being. In this sense, dunamis is primarily a principle of change in another thing or in the thing itself qua other, thereby exercising itself in its energeia. In the second half of the book, Aristotle discusses dunamis as a way of being. In this sense, a being is dunamei another thing and in the course of its becoming that thing it changes into being energeiai. The aim of the present thesis is to offer an interpretation of the concepts of dunamis and energeia as they appear in the chapters 1, 2 and partly 6 of the book Theta. The first question is how the concepts of dunamis and energeia in both parts fit together. The problem is posed as follows: Are dunamis in the sense of a principle of change and dunamis as a way of being mutually dependent? Are energeia as change and being energeiai related? Are they not, in fact, two relatively independent philosophical concepts, relative to whether being is regarded from the point of view of physics, respectively metaphysics? Based on the interpretation of Aristotle's statements, the thesis aims to argue that Aristotle starts his exposition with the analysis of dunamis in the sense of a principle of change precisely in order to show the...

Annotation: Kaločová, V.: Day dreaming /MA thesis/ Praga 2010 - The Charles University, Pedagogical Faculty, Department od Art Education This work studies the area of day dreaming in the context of general education as well as visual arts education. It views day dreaming mainly as a device to develop creative thinking, and highlights its contribution to and importance for education as well as for personal character development, pointing out also the negative sides. In this thesis day dreaming is defined within psychology, pedagogy and artphiletics in a way that could be inspiring and contributing for education. In visual arts, dreaming is stressed especially there where painting coincides with poetry, and where it opens doors leading to creation of new worlds between consciousness and unconsciousness. Furthermore, this work deals with so-called "artwork dreaming", as a preparatory phase of artworks. The main issue of the theoretical part is poetics of day dreaming, which, as well as this work, tries to develop personal courage for creative thinking. Poetic dreaming is viewed as the highest, which contrives to stimulate us, harmonizes our senses, and helps us dwell in this world. Key words: Day dreaming, poetry, dream and reality, imagination, fantasy, imaginativeness

Žemlová, M.: Reality and dream. [Diploma thesis] Prague 2016 - Charles University in Prague, Faculty of Education, Art Education Department, p. 91, (annexes: two pieces of own art work) The subject of this thesis is an individual concept of the main theme - reality and dream. The author sees this theme through her own intensive experience, connecting it with the pedagogical practice and fine art. The thesis is divided into three parts, where the first, theoretical, discusses imaging of themes connected with a woman and motherhood, offering a parallel of the traditional male view and female concept of the present. The didactic part brings a search for the ideal way - dream - in an environment hostile to art education at private vocational school. The practical part presents the author's own art work reflecting her personal experience with motherhood. Key words: Reality, dream, art, mother, motherhood, parenthood, feminism, pedagogical practice

The master thesis is concerned with an analysis and a comparison of two realities that, according to the theory explained in the text, are supposed to be different. The first part of the thesis deals with the theoretical framework through the analysis of the relation between media and reality. Basic approaches focusing on this coexistence through several paradigms, above all social constructivism and social representation, are explained. The theoretical part contains a chapter dedicated to the basics of news and the specificities of the content creation. The practical part of the thesis is first comprised of a definition and of an analysis of the news media reality, based on the declarative statements of its relation to the non-media reality. The same type of analysis is secondly also applied to the non-media or life reality. In order to facilitate comprehension of the topic and of these two realities, the work analyses a case study of a news event. Based on the case study, the practical section leads then to a comparative analysis of the characteristics of both studied realities. The final part suggests the definition of a relation between the media reality based on news production on the one hand and the non-media reality on the other hand. The work examines thus the degree of validity of the...