Thesis (M.Phil.)--Chinese University of Hong Kong. / Bibliography: leaves 165-183.

林志光. / "1999年12月" / 論文 (哲學碩士)--香港中文大學, 2000. / 參考文獻 (leaves 118-129) / 附中英文摘要. / "1999 nian 12 yue" / Lin Zhiguang. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000. / Can kao wen xian (leaves 118-129) / Fu Zhong Ying wen zhai yao. / 引言 --- p.1 / Chapter 第一章 --- 明代宮廷焚香的槪況與瓷爐的使用 --- p.3 / Chapter 一、 --- 明代皇室焚香槪況 --- p.3 / Chapter 二、 --- 明官窯香爐的使用 --- p.9 / Chapter 第二章 --- 由漢代至元代陶瓷香爐的造型演變及其影響 --- p.19 / Chapter 一、 --- 漢唐陶瓷香爐造型演變槪論 --- p.19 / Chapter 二、 --- 宋代的復古變格與元代瓷爐造型的影響 --- p.22 / Chapter 三、 --- 香藥的使用與香爐的造型 --- p.29 / Chapter 第三章 --- 明代官窯瓷爐的分析 --- p.36 / Chapter 一、 --- 明代官窯瓷爐類別 --- p.36 / Chapter 二、 --- 明官窯瓷爐造型及紋飾的演變 --- p.61 / Chapter 第四章 --- 明代官窯瓷爐的文化內涵 --- p.70 / Chapter 一、 --- 皇權的象徵 --- p.70 / Chapter 二、 --- 統治者的藝術品味 --- p.76 / Chapter 三、 --- 具有宗教色彩的紋飾 --- p.82 / Chapter 四、 --- 帝王渴望長壽的反映 --- p.94 / Chapter 第五章 --- 明代官窯香爐的存疑問題 --- p.105 / Chapter 一、 --- ¯‘ة未發現官窯香爐的時期 --- p.105 / Chapter 二、 --- 存疑爐式 --- p.110 / 結論 --- p.114 / 附錄一：參考書目 --- p.118 / 附錄二 ：明代歷朝的瓷爐造型 --- p.130 / 附錄三：圖版資料 --- p.131 / 圖版

Yung King-fung Phoenix. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 203-208). / Abstracts in English and Chinese. / Chapter Chapter 1 --- Introduction --- p.1 / Chapter 1.1 --- Scope of the Studies / Chapter 1.2 --- Reasons of Choosing the Nepalese Case / Chapter 1.3 --- Ethnic Studies in Hong Kong / Chapter 1.4 --- Layout of the Thesis / Chapter Chapter 2 --- Literature Review --- p.9 / Chapter 2.1 --- The Origin of the Discourse / Chapter 2.2 --- Special Features of Social Exclusion Approach / Chapter 2.3 --- Three Paradigms of Social Exclusion / Chapter 2.4 --- Remarks on Citizenship / Chapter 2.5 --- Unanswered Questions / Chapter 2.6 --- Remarks on Methods / Chapter Chapter 3 --- The Nepalese Community in Hong Kong --- p.38 / Chapter 3.1 --- Historical Background and Settlement Pattern / Chapter 3.2 --- Recent Population Trends / Chapter Chapter 4 --- The Problematic Community: Modes of Social Exclusions Against the Nepalese --- p.52 / Chapter 4.1 --- Cultural Exclusion: Inaccessible Cultural Capital / Chapter 4.2 --- Economic Exclusion: 4D Work / Chapter 4.3 --- Civil Exclusion: Second-class Citizens and Distanced Friends / Chapter 4.4 --- Political Exclusion: Invisible Citizens / Chapter 4.5 --- Conclusion: the Marginal Man / Chapter Chapter 5 --- Malign Dynamics Among Modes of Exclusions --- p.127 / Chapter 5.1 --- Cultural Exclusion - Economic Exclusion / Chapter 5.2 --- Cultural Exclusion - Civil Exclusion / Chapter 5.3 --- Cultural Exclusion - Political Exclusion / Chapter 5.4 --- Economic Exclusion - Civil Exclusion / Chapter 5.5 --- Economic Exclusion - Political Exclusion / Chapter 5.6 --- Political Exclusion - Civil Exclusion / Chapter Chapter 6 --- Approaching Complete Citizenship --- p.163 / Chapter 6.1 --- A Divided Community: From FEONA to GNF / Chapter 6.2 --- Reluctance and Domination: Individual Level / Conclusion: We Have No Choice --- p.192 / References --- p.203 / Appendices / Chapter 1. --- List of interviewees / Chapter 2. --- Job History and Income / Chapter 3. --- Accommodation and Rent / Chapter 4. --- Map of Sun Tin，Yuen Long

by Law Yuk-fung, Cherry. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Includes bibliographical references (leaves 118-128). / Abstract also in Chinese. / Acknowledgments --- p.xi / Abstract --- p.xii / Chapter Chapter One: --- Introduction --- p.1-7 / Chapter 1.1 --- An overview / Chapter 1.2 --- Research questions / Chapter 1.3 --- Conceptualization of the research topic / Chapter 1.4 --- Objective and significance / Chapter Chapter Two: --- Literature Review --- p.8-30 / Chapter 2.1 --- Theoretical perspectives / Chapter 2.2 --- Researches on racism and biased representation in media / Chapter 2.3 --- Researches on domestic servants / Chapter 2.4 --- Limitations on past researches / Chapter Chapter Three: --- Methodology --- p.31-38 / Chapter 3.1 --- Textual analysis of cultural representations / Chapter 3.2 --- In-depth interviews / Chapter 3.3 --- Contextualization of the study / Chapter Chapter Four: --- A socio-historical analysis: the Coming of Filipino Maids in Hong Kong --- p.39-48 / Chapter Chapter Five: --- Cultural Representation of Filipino Domestic Helpers in Hong Kong --- p.49-81 / Chapter 5.1 --- Media images of Filipino domestic helpers in Hong Kong / Chapter 5.2 --- Public sentiments of Hong Kong people towards the Filipino domestic helpers (over certain social protests) / Chapter 5.3 --- Social practices of Hong Kong people towards the Filipino domestic helpers at societal level / Chapter Chapter Six: --- The Interplay between Cultural Representations and Social Practices ´ؤ Findings and Discussion --- p.82-112 / Chapter 6.1. --- General findings / Chapter 6.2. --- "Employers' perceptions, values and beliefs behind their social practices" / Chapter 6.3. --- Interplay between cultural representations and social practices / Chapter 6.4. --- Theoretical linkages with the findings / Chapter Chapter Seven: --- Conclusion --- p.113-117 / Bibliography / Appendices: / Chapter I. --- Core questions of the in-depth interviews / Chapter II. --- Interviewees' profile / Chapter III. --- Figures of employment of foreign domestic helpers in Hong Kong / Chapter IV. --- "Filipino maid suspected in child abuse, behavior being recorded" / Chapter V. --- Books targeted at Filipino maids' employers / Chapter VI. --- "A visual icon for a news story about ""TeleEye""" / Chapter VII. --- News photographs of Filipino domestic helpers about they are dressing too sexy / Chapter VIII. --- Visual elements in the advertisement of employment agencies for Filipino domestic helpers / Chapter IX. --- """Maria"" ´ؤ a popular comedy with Filipino maid, called ""Maria"", as central figure" / Chapter X. --- "News headlines using the Cantonese term “bun mui"""

Typescript (photocopy). / Digitized by Kansas Correctional Industries

This study develops a complicated analysis model to explore more understanding for fashion communication in Confucian culture background, especially for the latest Chinese fashion. The current study examines theoretical connections between media exposure, some psychological and social variables and fashion clothing involvement in Chinese society within a predictive framework. To better understand the relations between these psychological factors, social norms and fashion clothing involvement, this study also explores several effect models, such as moderation effect, mediation effect and mediated moderation effect. Two studies were conducted using both quantitative and qualitative methods. In the first study, the author collected data through a random sampling survey. To cross-validate the survey findings, a second study adopting the method of group interviews was conducted. Results indicate that fashion clothing involvement is a function of exposing to the media, achievement lifestyle, perception of success, peer influence, cognitive dissonance reduction, and comparing with others. The results also indicate the complicated relations, such as, lifestyle factor moderates the tie between media exposure and fashion clothing involvement; social comparison processes mediates the relationship between media exposure and fashion clothing involvement; self-discrepancy also influences the relationship as a moderator; notably, social comparison mediates the moderation effect from self-discrepancy. Individuals with high levels of self-discrepancy experience more negative emotion from comparing to thin-ideal image in fashion media than those with low levels. Another finding is that traditional media, particularly magazines, are as strong in explanatory power as new media (e.g. website) in the model of fashion communication. Theoretical implications of this study provide an advance in understanding the mechanisms underlying internalization and the use of social norms, furthermore, develop the knowledge of self related theories.

Typescript. / Digitized by Kansas Correctional Industries

Thesis. 1977. M.C.P.--Massachusetts Institute of Technology. Dept. of Urban Studies and Planning. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Bibliography : leaves 120-123. / M.C.P.

Quiet Dawn: Time, Aesthetics, and the Afterlives of Black Radicalism traces the unfulfilled utopian aspirations of the revolutionary past that haunt the present of the African diaspora. Taking its name from the final track on famed black nationalist musician Archie Shepp’s 1972 Attica Blues, this dissertation argues that the defeat of black radical and anticolonial projects witnessed during the turbulent years of the sixties and seventies not only represent past “failures” but also point to a freedom that has yet to arrive. Working at the convergence of literature, performance, and visual culture, Quiet Dawn argues that the unfinished projects of black and anticolonial revolution live on as radical potentialities that linger in the archive like a “haunting refrain.” Quiet Dawn offers a theory the haunting refrain of black sociality that emanates across seemingly disparate geopolitical nodes. The concept of the haunting refrain designates an affective register through which otherwise hidden and obscure regions of the past can be apprehended. The dissertation attends to the traces of black sociality that linger in the archive through an examination of the literary and critical works of black intellectuals such as Amiri Baraka, Nikki Giovanni, Kamau Brathwaite, Sylvia Wynter, Frantz Fanon, and Léopold Sédar Senghor. Rather than lay claim to political heroes, Quiet Dawn turns to the past in an attempt to give an account of the dispersed social forces that gathered around the promise of a black world. Each chapter offers an example of the haunting refrain of black social life that lingers in the past. In this way, the dissertation as a whole gives an account of the radical potentialities that register as hums, echoes, muted chants, and shadow songs of the “long sixties.” Quiet Dawn contributes to scholarship on black internationalism and intervenes in current critical debates around race, gender, and sexual violence in the fields of black studies, feminist studies, and postcolonial studies. Its theorization of black social life as a spectral presence is an attempt at attending to the other others that haunt contemporary critiques of power which merely seek redemption in an irredeemable world. To be sure, this project strikes neither an optimistic nor pessimistic note. Rather, it is rooted in the belief that there are infinite amounts of hope that we have yet to apprehend.

Scholars have studied and debated the causes and dynamics of assimilation for decades. Still, existing work has yet to explain how we get from encounter, interaction and taking assimilative “steps” toward the other to judging the other as “socially similar.” I introduce two innovations in approach to address this issue. First, I borrow from theories of collective action, narrative networks, uncoupling and “wrong” tales to ask how societies and their memories are simultaneously re-made. Second, I shift the focus to established residents, who are generally conspicuous outsiders to explanations of the multilateral process of social assimilation in migrant-receiving communities. I conducted a case study of Hicksville, a suburban Long Island hamlet and migration gateway; immersed myself in 150+ years of village history through the study of archival documents and oral histories; and chose three empirical puzzles for in-depth analysis. The first empirical chapter theorizes the long-term consequences of the state appropriation and demolition of the west side of Hicksville’s historical Broadway for a road widening project in the late 1960s. The second investigates the relegation of turn-of-the-century ethnic settlements to the sidelines of shared memory. The third explains the mis-remembering of civil rights era “race riots” outside a local real estate office. I argue that unsettlement of existing relational matrices produces action, silence and storytelling; that silences create the narrative space for stories to uncouple from narratives and narratives from networks; and that within these spaces, ‘wrong” tales, narrative anchor stitching, narrative infilling, and other creative forms of historytellling emerge. As memories, narratives and social relations shift, a village society gets re-member-ed. In conclusion, I illuminate a novel pathway for studying the achievement of social similarity as a multilateral narrative process by closely examining the dynamics of silence and storytelling in one migrant-receiving village.