This research is a qualitative art-based case study exploring the facilitation of resilience through the observation of a resiliency-building art therapy group with adolescents. The researcher was the subject and utilized both direct and participant observation of a ten-week resilience-based art therapy group to gain a better understanding of how an art therapy group in a school setting is run. Reflective art making that mirrored the art directives given in the group were incorporated by the researcher to gain a deeper and more personal understanding of the resilience building process. The literature review covers a broad range of resilience and a variety of methods for observing therapy. The weekly art directives were based on the resilience literature and designed to develop personal strengths, self-discovery, communication, self-reliance, problem solving, flexibility, and future planning. Themes identified within the analysis include: flexibility, structure, anxiety, cohesive relationships, and creativity. The researcher found that flexibility in the co-facilitators and structure in the art therapy program are key elements in a successful group. Through this study the researcher identified the usefulness of direct and participant observation of therapy for developing clinical skills and highly recommends both be included in therapeutic training programs.

This study discusses the intergenerational impact of mass incarceration on families. The general literature repeatedly described the negative effects of mass incarceration among children who have an incarcerated parent by pointing to the difficulty of educational attainment, social exclusion, stigma, substance abuse, and the exacerbation of mental health issues such as depression, anxiety, and antisocial behavior (Kjellstrand & Eddy, 2011; Miller & Barnes, 2015; Turney, 2014). Unfortunately, most incarcerated individuals are parents and most incarcerated women are mothers (Scudder, A., et al., 2014, and Miller, et al., 2014). Through the use of art, service providers (artists, clinicians, etc.) that facilitate parent based programs in correctional facilities or re-entry programs can alleviate the trauma caused by incarceration that affect the emotional and mental well-being of families. Two organizations that provide art programs to incarcerated parents participated in a qualitative study about the effective use of art in their programs. Themes from the interviews discussed the value of cultural humility, as well as the role of social justice and restorative justice frameworks when providing art-based programs for parents. The lack of trust, compassion, and empathy were barriers in the process of delivering services to families. Since the creative process is inherently inclusive and actively engages its participants (e.g., therapists, patients, observers), the results of this study point to art creation as a vehicle that promotes trusts and supports family relationship restoration in order to intercept the cycles of intergenerational trauma.

This qualitative case study explores the long-term effects of domestic violence through the lens of art therapy treatment. The study is based on a twelve-week long art therapy treatment group for women who have experienced domestic violence. The study includes a literature review and a qualitative analysis of the participants’ artwork and details of their experiences of domestic violence related trauma. The research focuses on two participants and utilizes textual and visual analysis to identify four emergent themes: Family and identity, hope in moving forward, support and connection, and freedom. The findings discuss the value of art therapy in revealing coping skills, strengths and internalized fears related to domestic violence trauma. The women in the study illuminate an increase in awareness of internal resources and hopeful narratives for healing. The study demonstrates the potential of art therapy to make visible the long-term effect of domestic violence, and assist in the treatment of survivors.

This paper highlights the design and results of a research study conducted by graduate art therapy students that surveyed professional art therapists and the role that personal and clinical art making has in their practice. The study included a mixed-method approach that involved a survey of 88 graduates from art therapy programs, interviews, the creation of art by art therapists, and the creation of art responses by the graduate researchers. The researchers analyzed the data from the surveys and interviews through thematic coding and identified common themes that reflected the research questions: What is the relationship between personal art making and the development of the art therapist and What supports and barriers exist for art therapists to engage in an active art practice within and outside of clinical practice? The themes reflected the importance of having a personal art practice as an art therapist, the relationship between personal work and its impact with clients, the challenge of advocating for the understanding and inclusion of art therapy in professional spaces, and the career long evolution of the relationship between the artist and art therapist identity. These findings emphasize the barriers and supports associated with the art therapist identity.

A six week self-study was conducted to explore the use of regular contemplative practice and art-making to examine effects on the life of an art therapy graduate student. This study examined a three-fold inquiry regarding the use of contemplative practices, namely Buddhist meditation, as well as weekly reflective art making to broaden self-knowledge and enhance general wellbeing. Further implications of the use of contemplative practice and reflective art making were reviewed for clinical application in the field of art therapy, both for the client and art therapist.

This paper investigates how the meditation practice and the self-reflective art of an art therapy trainee informed clinical work with an adolescent client. The self-reflective process included Jon Kabat-Zinn’s 29-minute body scan meditation, a review of the client’s artwork, and a response painting. This course of action was documented in a visual journal form. A hermeneutic interviewing process, or a process of open-ended questioning and dialogue, was used to find out whether or not the therapist’s understanding of the client’s experience matched with his own understanding. His responses were utilized to examine the validity of the findings. The findings support the concept of art psychotherapy as an advantageous approach to opening communication with adolescents because of its ability to permeate defenses (Linesch, 1988; Wadeson, 2010). They also support the idea that responsive art-making increases the empathic response of the therapist (Moon, 1999) and awareness of counter-transference issues (Franklin, 1999). Additionally, meditation facilitated the reflective art process by promoting clarity, focus, and authenticity, and thus, greater insight. There is limited research about the integration of meditative practices in art therapy. The research also indicates that attuned suggestion, although based on the therapist’s subjective experience, encourages the client’s sense of feeling understood. The field of art therapy would benefit from more research about methods of interpretation that avoid the arrogance of assumption. More self-reflective research is needed in our field because these methods increase the competence of practitioners.

This paper is an exploration of how art therapy informed by studio practices plays a role in addressing the challenges of immigration and acculturation, specifically looking at women from Latin America. This also investigates the mental health needs of immigrant Latina women particularly struggling with acculturation. The seven women participants were selected from Dolores Mission Parish in Los Angeles, California. The women created art on two Saturdays in response to the directive presented by the researcher, involving the exploration of their individual journey and experience of immigration and acculturation. The art was studied in a qualitative method with a presentation of the art, the analysis and the findings. The art demonstrates that the creative process can create a sense of community, a feeling of empowerment, and act as a catharsis, or “desahogo”, in relieving psychological distress from the acculturation process.

Through the lens of a participatory design (PD) approach, this study explored to find qualifying features and qualities of digital art materials, specifically art apps on iPads for art therapy use. The study comprised of two phases: 1) a questionnaire/interview of four art therapists using iPads with clients and 2) four separate focus groups with 15 art therapist and art therapist trainee participants involving multiple stages of cyclic feedback. The focus groups engaged in art directives with nine art making apps identified by the researcher and questionnaire respondents as potentially useful in art therapy. The results revealed that while there was no single commercial art app that satisfied the needs of all art therapists and vast range of clients’ technology skills, artistic abilities, stylistic preferences, and therapeutic needs, three distinct qualities and six concrete features of an “ideal” art app for art therapy use emerged. Additionally, the study’s results expanded the parameters of art therapy’s artmaking practice and visual vocabulary by illustrating digital art media’s potential therapeutic and expressive use. And most importantly, the protection of privacy and confidentiality of client’s digital artwork emerged as one of the most important issue to consider. While this paper discusses the limitless possibilities of digital art media’s meaningful usage in art therapy, it also acknowledges how its unique characteristics may require thoughtful limitations and restrictions.

This research explores the therapeutic characteristics of the art‟s sensory properties in art therapy treatment for children with developmental trauma. The researcher used interview as a method for gathering data in the qualitative research design. Two art therapists were interviewed individually in order to gain a deeper understanding about the research topic. The participants were selected based on their knowledge and practice utilizing art therapy in cases related to developmental trauma. The data gathered were coded and analyzed for emergent findings. The researcher finds that sensory-based art therapy facilitates regulation of affect and behavior, attachment repair, and the potential to process trauma memory through regression in the art. Also, the therapist‟s role as a witness for the client and a provider of a safe holding space is found to be a crucial component in sensory-based art therapy. These findings suggest implications for clinical practice and the careful construction of sensory-based art therapy according to the client‟s developmental age. Regression stimulated by loose art media may be a key component of trauma treatment. In order to regulate a child‟s affect and behavior, the art material and its quantity must be carefully selected based on its inherent sensory properties. Containment and attachment repair as the overarching goals of the art therapy treatment may also influence the selection of which art materials may be utilized. The researcher recommends a broader research study to explore treatment implications concerning sensory-based art interventions for children with developmental trauma.

This paper is a personal account of the discoveries made during a heuristic study in which the researcher sought to deepen her understanding of the difficulties of ending treatment with adolescent male clients as a female art therapist in training. Through the analysis of reflective artwork created during and after termination at a boys’ home, the researcher uncovered multiple themes as they related to the therapeutic relationship, attachment, transference/countertransference, dreams, vicarious trauma, self-care, and the ambiguity of termination. After reviewing the potential dangers of harmful termination and the paucity of literature on its effect on at-risk youth in group homes, this researcher chose to explore the personal meaning of this topic utilizing heuristic and arts-based methodologies. The process of data collection followed Moustakas’s six heuristic steps, corresponding to each day of the week. Each week, an archival termination art piece was analyzed and a corresponding questionnaire composed of four research questions and an art response was completed. After four weeks of data collection, two cumulative art pieces were finished to summarize research findings. Further dissection of the collective data was completed through a theoretical lens of attachment theory. Results suggested that reflective art making was proven useful to this researcher as a living record of the termination process and therapeutic relationship. To encourage self-care, deeper introspection, and monitoring of one’s expectations of termination, this creative modality could be utilized by other art therapists to externalize, cope with vicarious trauma, contain and process the complicated feelings of letting go.