In modern urban Singapore, the variety of English spoken evolves through a continual negotiation of adhering to traditionally standard models and creating local norms in the environment of myriad social and substratum language influences. Singapore English (SgE) speakers constantly navigate a multilingual situation which requires them to simultaneously handle the language systems of the society’s main working language, English, and at least one other language while being immersed in a linguistic environment where interactions in countless other languages and varieties take place. Variation, thus, inevitably exists within SgE as depicted in models of variation developed throughout the years. While this variation manifests itself in many forms, this study focuses particularly on the sociophonetic variation of /r/ realisations, an area of SgE in which the little research done previously provides only impressionistic or preliminary descriptions. Here, /r/ variation is studied through an auditory and acoustic investigation of both read and conversational speech data collected from male and female SgE speakers of Singapore’s major ethnic groups (i.e. Chinese, Malay, Indian, and Eurasian). Through the use of an auditory perceptual strength index and a combination of fixed- and mixed- effects statistical modelling methods, this study reveals /r/ variation in SgE on several levels. Results show that SgE speakers produce a range of /r/ variants, both within and between speakers, and also highlight the intertwined roles of language-internal factors (e.g. phonological contexts, word class) and language-external factors (e.g. speech style, ethnicity, speaker sex) in determining variation in both the realisation and distribution of /r/ in SgE. Finer auditory and acoustic distinctions are found in approximant /r/, reflecting both the phonetic complexity of /r/ and the multifaceted nature of SgE. Additionally, supportive evidence for the presence of innovative trends in SgE /r/ realisation (i.e. labiodental /r/) and of fading ones (i.e. taps/trills) is also found. Taken together, these results provide the basis for discussions of a potential situation of natural /r/-weakening and the impacts of speech styles, cross-linguistic influences, and language dominance on /r/ variation. They also postulate trends of change in /r/ realisations in SgE affected by age, ethnicity and speaker sex. Besides contributing to the general on-going discussions of synchronic variation and diachronic change in the story of /r/, this study shares insights into the intricacies of studying linguistic patterns in multilingual urban communities and provides empirical evidence for the need of a multidimensional approach in researching multicultural varieties and/or ‘New Englishes’ like SgE.

This thesis investigates the construction of identity and authenticity through sociophonetic variation, focusing on British Hip Hop artist Amy Winehouse. Prior work on British vocal artists’ phonetic variation has relied upon regional categorical frameworks (Trudgill, 1983; Carlsson, 2001) and found variation to be evidence of production errors and speakers’ misidentification of targeted speech patterns, resulting in summative interpretations of conflict between speakers’ discreet identities and speech pattern categories. More recent work has attended to linguistic processes within cultural movements influenced but not strictly delimited by sociolinguistics’ canonical categories of region, class, race, etc. Within the context of the Hip Hop cultural movement, which demands members maintain authenticity via its mantra of keepin’ it real, scholars have described processes by which authenticity is redefined and re-localized (Pennycook, 2007), emphasized the performative process of the construction of identity rather than the categorical delineation of identity (Alim, 2009), explicated the construction of authenticity within Hip Hop as inextricable from Hip Hop’s roots in the Black American Speech Community (Alim, 2006), and shown how linguistic processes mediate the markedness of artists’ Whiteness as they construct authenticity within Hip (Cutler, 2007). This work applies sociophonetic analytic tools to sung and spoken speech informed by indexical theory. Through indexical theory, the construction of identity is examined via the employment of variants that do not convey fixed meanings but instead create complex fields of possible meaning (Eckert, 2008). The variables examined include postvocalic contexts of the liquids /l/ and /r/ and intervocalic instances of /t/. Findings indicate that Winehouse’s use of non-rhotic postvocalic /r/ in spoken language, rhotic postvocalic /r/ in singing language, glottal [ʔ] intervocalic /t/ in spoken language, intervocalic /t/ as [ɾ] in singing language, and categorical use of vocalized postvocalic /l/, demonstrates a negotiation between a Hip Hop identity and a White British non-posh identity. Her spoken and singing language represent a re-localizing of Hip Hop’s demand for authenticity within Winehouse’s British context. Findings indicate that phonetic features can index a redefinition of authenticity as forms of talk, such as Hip Hop, gain ownership in new contexts.

Up to now, adolescent speakers have been the primary focus when researching contemporary variation in the language of Sweden’s urban areas. This study contributes to the growing body of research on the topic by examining and reporting on adult speakers of what is here referred to as förortssvenska (English: Suburban Swedish). This study focuses specifically on formal speech registers of eight young working-class men from Stockholm along with the perception and reception of their speech by two independent native-listener groups. The paper is the first to present quantifiable data on what has been previously referred to as a “staccato” rhythm in Suburban Swedish. Strong correlations are shown between prosodic rhythm as measured by the normalized pairwise variability index (nPVI) and speech speed to mean listener attitudes (R2=0.9). A strong correlation is also shown for nPVI’s influence on mean listener-projected ethnicity (R2=0.8). Alongside variation in rhythm, we also see phonemic variation that trends toward specific indexes of social identity as revealed by speaker interviews and native-listener assessments. Alongside linguistic variation among speakers, there is also significant variation within speaker peer groups. In addition to identifying specific linguistic features, the study examines social mechanisms revealed in interviews with and qualitative observations of speaker and listener participants. In exploratory fashion, ideas on variation, register ranges, meta-pragmatic stereotyping, and ethnic boundary-making are presented to make a case for treating contemporary urban variation in Swedish as a habitual semiotic extension of speaker identity. Indicators that contemporary urban variation in Swedish may be heading in the direction of sociolectal entrenchment are also discussed. / Hittills har unga talare varit det primära fokus för forskning av aktuell språklig variation i urbana Sverige. Denna studie bidrar till den växande mängden forskning i detta ämne genom att undersöka och rapportera om vuxna talare av det som här kallas för förortssvenska. Studien fokuserar specifikt på formella talregister bland åtta unga män från Stockholms arbetarklass, samt perception och mottagande av deras tal av två oberoende grupper av infödda lyssnare. Denna studie är den första som presenterar kvantifierbar data rörande den i tidigare forskning så kallade stackato-rytmen i förortssvenska. Starka korrelationer finns mellan, å ena sidan, prosodisk rytm mätt med the normalized pairwise variability index (nPVI) och talhastighet och, å den andra, de genomsnittliga lyssnarattityderna (R2=0,9). Det finns också en stark korrelation för nPVIs påverkan på genomsnittlig lyssnarprojicerad etnicitet (R2=0,8). Vid sidan av variation i rytm ser vi också fonemisk variation som trender mot specifika index för social identitet. Och vid sidan av variation i rytm bland talarna, finns också en stor variation inom kamratgrupperna. Förutom att den identifierar specifika lingvistiska drag, undersöker studien sociala mekanismer som framkommer i intervjuer med och kvalitativa observationer av talardeltagarna och lyssnardeltagarna. På ett explorativt sätt, lägger studien fram idéer om variation, registeromfång, meta-pragmatiska stereotyper och etniska gränsskapande för att framhäva argumentet för att behandla den aktuella förortsvariationen i svenska som en habituell avsiktlig utbyggnad av talarens identitet. Det diskuteras också indikatorer till att den aktuella urbana variationen i svenska kan vara på väg mot sociolektal stabilisering.