Sonata for violin and piano in G major, K.301 / Wolfgang Amadeus Mozart -- Sonata for violin and piano in G minor, L.140 / Claude Debussy -- Trio for violin, horn and piano in E flat major, op40 / Johannes Brahms. / text

No description available.

Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs.

Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs.

Inaug.--Diss.--Münster. / Lebenslauf. Includes bibliographical references (p. 5-6) and index.

Daniel Skidmore's thesis (D. M.A.)--University of North Carolina at Greensboro, 2006. / Title from PDF title page screen. Advisor: John M. Fadial; submitted to the School of Music. Includes bibliographical references (p. 50-52)

Thesis (D.M.A.)--University of North Texas, 2003. / Includes bibliographical references.

Thesis (D.M.A.)--University of Maryland, College Park, 2006. / Compact discs.

This thesis supplements "The Piano Sonata of the Eighteenth Century in Germany" (Vol. 2 in the publication series "Contributions to the development of the Piano Sonata"). It does not aim at a comparative study between Pieto Augusto and his contemporaries but intends to establish the composer's individual characteristics in the light of the general development of the piano sonata during the eighteenth century.

A composition in three movements for piano, the duration of which is approximately seven minutes and thirty seconds. The tonal organization employs quickly changing tonal centers. Linear aspects are of more structural importance than vertical sonorities. Frequent changes of meter, syncopation, and ostinato figurations are utilized in each movement. Primarily, a two-voiced texture is employed to effect a transparent quality of sound. A detailed thematic and formal analysis of each movement is included in the "Discussion and Analysis".